Скачать или смотреть The way Paco de Lucia tuned /Learn tuning in 5 steps / Modern Flamenco guitar / Ruben Diaz Spain

The way Paco de Lucia tuned / Tuning in 5 steps /Learning Modern Flamenco guitar / Ruben Diaz Spain
The two test are self revealing your fretboard
   • How to choose a nice flamenco guitar /Flaw...  
this other one is with chords
   • Test your fretboard with chords /AG new fr...  

Inspiration comes from work https://goo.gl/TVhSwm
Samogyi about the air pump    • Simplicio is my sound /Ruben Diaz (New Gen...  

Mr. Benno Streu about mics    • Guitar´s elusive soul /Andalusian soundboa...  

The three-dimensional sound    • Three-dimensional sound / Testing the new ...  
21 features on AG Simplicio    • 21 features out of the box on AG Simplicio...  
http://andalusianguitars.com/characte...

Sound bounces on the back    • Simplicio is my sound /Ruben Diaz (New Gen...  

https://www.liveauctioneers.com/item/...

Guitar made around 1929 by Francisco Simplicio
http://www.themomi.org/museum/mfa/pop...
Simplicio noticed a disadvantage of the traditional sound hole position in the weakening of the guitar top in a crucial area and also in a reduction of the sound emitting surface of the top (Huber, J.: The Development of the Modern Guitar, Westport, 1994, p.27). The increased sound emitting surface should also improve the sound emitting in the bass range (Stark, D.: Diplomarbeit – Entwurf und Bau einer Konzertgitarre mit doppelter Decke in Sandwichbauweise, Weimar, 2006, p.6)

Impact on the sound:

Omitting the sound hole or positioning it on both sides of the fingerboard leads to an enlarged vibrating surface of the top. Cue to the ratio between top length or width and top thickness, it is possible to:

– attain the same degree of flexibility of the top as in a traditional guitar, but obtaining a higher mass of the top (this leads to a better sustain without the loss of attack and responsiveness)

– attain a more flexible top than on a traditional guitar, but maintaining the same mass of the top (this leads to increased loudness and responsiveness without the loss of sustain).

In addition, the Helmholtz frequency http://polettipiano.com/Pages/airrese...
can be lowered significantly, which in turn has an impact on the tonal character of the instrument.

(http://www.esomogyi.com/pricelist.pdf)

Sandoval, new intruments brings new ideas
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Antonio de Lorca 1840 https://www.frignanilorenzo.com/strum...

....

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Samogy    • Simplicio is my sound /Ruben Diaz (New Gen...  

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Ex.1/ 00:01 solo 1 David by John Mc. Laughlin
Ex.2/ 16:08 s. David by John Mc. Laughlin
Ex.3/ 01:49 Gitanos Andaluces by Paco de Lucia
Ex.4/ 09:26 Ebm Buleria by Ruben Diaz
Ex.5/ 14:41 Almoraima by Paco de Lucia
*Ex.6/ 04:15 Solo ad libitum + topic


Top tuned in Bb Re-inventing the Negra-Flamenca /Combined back and sides (review) Simplicio 1929c Andalusian Guitars
http://dai.ly/x5j8uqt

Libitum    • Redefining the Blanca-Flamenca /Maple Fret...  


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Solea Villa Vieja by Paco de Lucia
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Tuning the top of flamenco guitars
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The way Paco de Lucia tuned / Tuning in 5 steps
   • The way Paco de Lucia tuned /Learn tuning ...