Sriman Narayana - Sathyanarayana & A R Subramaniyam - Mangalaisai (Full Verson)

Описание к видео Sriman Narayana - Sathyanarayana & A R Subramaniyam - Mangalaisai (Full Verson)

Sri . Tirupathi Sathyanarayana Plays " Sriman Narayana " Song , In Naddhaswram, Thavil by Valayapatti A R Subramaniyam , Composition of Annamacharya , Bowli Ragam, Adi Talam In Mangalaisai.

Vidwan Thiruppati V. Sathyanarayana has created waves in the art of Nagaswaram for the past nearly three decades. He was born in 1961 to V. Mallika arjuna Rao and Ananthalakshmi. His Guru was the reputed Nagaswara Vidwan of Ongole, N. Rangaiyyah. His instrumental expression with a rich traditional bearing, clean powerful blowing and embedded in aesthetics has made an effective impact in the minds of connoisseurs of Carnatic music. He is currently a lecturer in the Thirupati Sri Venkateshwara Nagaswara Thavil college. He has a Carnatic music Nagaswaram diploma from the Vishakapatnam, Andhra university. He has been awarded the title of ‘Raga Ranjitha Nagaswara Ratna’ by the Veda Parayana committee in Jamshedpur.
Valayapatti A.R. Subramaniam is one of the stalwarts in the field of percussion. His masterful playing on the Thavil has earned for him plaudits in the national and international diaspora. The Violin Thavil combination of Sri Kunnakudi Vaidyanathan and Subramaniam has been extremely popular and they have performed in tandem in more than 3400 concerts. Many titans, past and present, such as Semmangudi Srinivasa Iyer, Mridangam maestro Palghat Mani Iyer, Dr. M. Balamuralikrishna and Lalgudi Jayaraman to name a few have showered accolades on the artistery of Valayapatti Subramaniam. The recipient of innumerable honours and titles including the Kalaimamani, Sangeeth Natak Academy award, Madhura Kala Praveena, and Thavil Ulaga Sooriyan among others are veritable tributes to the genius of Valayapatti Subramaniam. The Thavil has no basic shruthi. Yet, when Subramaniam plays on the instrument one gets the feeling that there is absolute shruthi unison and perhaps this aspect of his art prompted the Bheeshma Pitha Maha of Carnatic music Shemmangudi Srinivasa Iyer to refer to him as Nandi incarnate.

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