Скачать или смотреть Original Paraphrase on "Sadegurer Khusidl" in E Avabah Rabah Mode performed by Daniel Mihai

This work is in my opinion, a significant musicological contribution to students, performers, scholars and other lovers of Klezmer music.
The Sadegurer Khusidl is in E Ahabah Rană mode.The Solo Violine piece was played and features some of the great soloists and ensembles of Jewish music of the early twentieth century, such as the Ukrainian State Jewish Instrumental Ensemble (1930), Al Glaser's Bukovina Kapelle with clarinetist Dave Tarras (1939), the Abe Elinkrig Orchestra (1915), accordionist Mishka Tsiganoff (1929), clarinetist Naftule Brandwein (1922), accordionist Max Yenkowitz with tsimbalist Goldberg (1913), the Abe Schwartz Orchestra (1920), the State Ensemble of Jewish Folk Music of the Ukrainian Soviet Socialists Republic (1930) and others.


There are not limitations in transcribing music. The feeling and style of the music cannot be captured in print. It is therefore most important to listen to the original recordings of the music transcribed for this book. . . This song represents a commitment to help preserve a rich Jewish music culture forgotten for forty years.

However, my primary complaint is that the sound of the piece must be overpowered .
Despite my paraphrase, several songs are outstanding (by any standard) and deserve special mention.
Sadegurer Khusidl and also my paraphrase must be played with finesse and delicacy in the rubato section and with great verve and gusto in the 2/4 dance section. In fact, all the beauty and the richness (and often humorous) is featured in some great solo licks.

In contrast, the end of the paraphrase l appears and enters quietly and sensitively This is beautiful Jewush Klrzmer Solo Violine music. The ending is extremely satisfying, as the motif of the theme is repeated one last time in the lower register.

Despite my criticisms, this paraphrase is outstanding (by any standard) and deserve special mention. I played with finesse and delicacy in the rubato section and with great verve .