Classical composers against their own clichés

Some musical counter-examples for the most tenacious clichés ever given to classical composers.

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00:05 – Debussy
00:13 – Masques
00:55 – Nocturnes, II : Fêtes [Pianos Transcription : Ravel]
01:40 – Préludes, Book I, n°7 : « Ce qu’a vu le vent d’ouest » (Literally « What the west wind saw »)
02:44 – Chopin
02:53 – Three Écossaises, n°1
03:22 – Prelude op.28 n°7
04:03 – Polonaise op.53
04:46 – Haydn
04:56 – Symphony n°45 Hob.I:45, 1st movement
05:36 – The Creation Hob.XXI:2, overture [Piano Transcription : Czerny]
06:58 –Liszt
07:10 – Années de Pèlerinage, Deuxième année : Italie, n°7 : « Après une lecture de Dante » (Literally : « After a reading of Dante »).
07:49 – Dante Symphony, 1st movement : « Inferno »
09:11 – Mozart
09:21 – Don Giovanni KV.527 – Overture [Piano Transcription : Bizet]
10:46 – Piano concerto n°20 KV. 466, 2nd movement : “Romanze”
11:08 – Requiem KV. 626, n°3 : “Dies Irae”
11:26 – Fantaisie K. 475
12:14 – Stravinsky
12:24 – Pulcinella, Suite, n°3 : “Scherzino” [Piano transcription : personal work]
13:12 – Violin Concerto, 1st movement [Piano Transcription : Stravinsky]
13:54 – Wagner
14:04 – Lohengrin, Prelude
15:33 – Schubert
15:44 – Symphony n°9, 2nd movement : Andante [Piano Transcription : Ulrich]
16:59 – Sonata D.959, 4th movement : Rondo
17:58 – String quartet D.810, 1st movement
18:34 – Vivaldi
18:44 – Cello concerto RV. 407, 1st movement
19:20 – Farnace RV. 711, Act III, scene 4, Aria “Scherza l’aura lusinghiera”
19:51 – Lauda Jerusalem RV. 609

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