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The salsa is dance created by people of Spanish-speaking Caribbean for salsa music which is danced in pairs or groups. The salsa mixes influences from African and European dance through the merger of the following dances: are, son montuno, rumba, guaracha. The salsa is a union of Afro-Caribbean and European styles of dance. French and Spanish settlers brought this dance from their homeland to the Caribbean. A particular role did the island 's Spanish. The Spanish was, from the eighteenth century, divided into two: Saint Domingue, France, the current Haiti in the west and "Santo Domingo Spanish", the current Dominican Republic in the east. After the uprising against French colonial rule in 1791, the planters with their slaves fled to the eastern part of the neighboring island ( Cuba ) and also brought their customs, dances and music. In the Cuban East marimba and African dance tradition of guitar music of Spanish farmers they were mixed.
The spectators, who had no drums, not remained inactive in the meantime. They supported the rhythm by stomping or clapping. Who does not zapateaba or patted wore pace with your body: by Roll your shoulders, torso, hips, knee, etc. Such elements of drum and dance now find access to the ballroom. They were, however, always regarded with suspicion by the elite high society in Cuba: many African dance movements were considered forms of 'obscene' dance of the lower class. The dance has successfully resisted its slow and expressive movements until today; Also in the Cuban son the elegant "urban" city where the man remains often just in the same place and the woman moves around him, and rural stands montuno with many movements of arms and torso.
Apart from the religious reference, dancing was always also an important role in finding a suitable partner and to conquer a woman. The guaguancó Cuban and Colombian cumbia dances are advertising. The dance acquired thus an erotic connotation: couples are presented in dance, often with much ostentation of men. Sensuality in dance does not mean, necessarily, a narrow body contact -the companions revolve around themselves, in many Caribbean dances without tocarse-. Thus, the salsa danced the continent will be almost entirely open, it generally guide the man to the woman with one hand. During rotation, this tour while women, giving the dance the dance character 'laps'.
As the salsa in the seventies in New York was becoming progressively more popular, was formed rigged to new music, too, a style of dance: the "New York style" -originado by Cuban and Puerto Rican schools and enriched by a multitude other elements of dance-schools. At the end of the eighties, there were also reached the west coast of the United States of America and stated there as "Los Angeles style". In fact, the differences between styles and individual schools are not serious; who dominates one of these styles of dance can dance, too, with fellow dancers from other schools. However, unlike some direction with style New York to address the Cuban style, since the latter is not danced on a line, but in a circular motion around the companion. All these styles share the basic step and basic turn of Cross-body lead. Cuban dance style casino has influenced the way of dancing in the Mexican cumbia which expanded this style of dance has influenced all of Latin America to the southern states of the United States of America.
The "New York style" as symbiosis of Puerto Rican and Cuban dance, reflects all the elements of dance in both countries, especially the elegant city of Havana ("urban"). It is characterized by straight lines and the use of technology simple steps and entertainment figures. LA style emerges between 1990 and 2000. It includes further choreographic elements and figures show that New York style, which makes it especially popular for film productions, dance contests and tournaments. It is alive and always dances.
This style is originally from the suburbs of Caracas, where he adopted a more relaxed position and dance is distinguished from others in the impregnated dance eroticism in each of the dancers, where; with sensual moves the knight gives many turns to the lady taking her hand to complete the step in an embrace that continued until the music ends. Usually it alternates with many twists both men and women to not monotonous dance.
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