Nana Ronger Din | Class XII Bengali Drama | Ajitesh Bandopadhyay | Your Mayukh

Описание к видео Nana Ronger Din | Class XII Bengali Drama | Ajitesh Bandopadhyay | Your Mayukh

Nana Ronger Din | Class XII Bengali Drama | Ajitesh Bandopadhyay | Your Mayukh


Ajitesh Bandopadhyay (Bengali: অজিতেশ বন্দোপাধ্যায়; born: 30 September 1933 ― 13 October 1983) was an actor, playwright, activist and director. He along with Shambhu Mitra and Utpal Dutt are considered to be the doyens of Bengali theatre of the post - Independence era.

He was born as Ajit, at Ropogram in Purulia District, West Bengal at his maternal uncle's house. His native village was Kenda situated in the Raniganj region of Paschim Bardhaman district, West Bengal. He was the eldest son of coal miner Bhubhanmohan and Lakshmirani.

Having graduated from Maharaja Manindra Chandra College, Kolkata, he taught for few years in the same college and in South Point School before plunging himself in the world of theatre by joining the Nandikar group in 1960
Prior to joining Nandikar, he had been in close touch with the IPTA (Indian Peoples' Theatre Association) and was both directing and performing a number of its stage productions. While with Nandikar, Ajitesh along with Rudraprasad Sengupta, Asit Bandopadhyay and Keya Chakrabarty, staged and performed many successful plays - mostly adaptations of Chekhov, Sophocles, Luigi Pirandello and such stalwarts; of these, few like Antigone, Teen Poysar Pala (adapted from Three Penny Opera), Manjari Aamer Manjari (adapted from Cherry Orchard) not only drew large audiences but created milestones of success even at the national level. Plays like Bhalomanusher Pala and Sher Afgan met with same success. As a recognition of his directorial ventures and contribution to theatre, he was honoured with the Sangeet Natak Academy Award in 1976 at the age of 42, one of the youngest recipients of this nationally prestigious award. In the early 1970s, he was described by none other than Sombhu Mitra as the "most powerful performer of the Bengal theatre in current times". In 1977, he left Nandikar and formed his own theatrical group Nandimukh through which he continued his stage productions and performances with equal aplomb.

At the same time, his performance on the silver screen, particularly as a character-actor, in films like Haate Bajare, Chhuti, Atithi, Kuheli followed by Ganadevata, Aaj Kaal Porshur Galpo, Megh o Roudra, Thagini, Nidhiram Sardar, Hire Manik, Kapalkundala, Samjhauta (in Hindi) established him as a powerful thespian of the stage and screen.

He was actively involved with radio-plays and Jatra also.

An instance of his integrity and devotion is found when he left his teaching career on being cast for the role of the antagonist in Haate Bajare Directed by Tapan Sinha stating that his acting might negatively impact the young minds.
His untimely demise (at the age of 50) left a void, especially in Bengal theatre, which is, perhaps, still felt by one and many.


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Cast
Laxman Mondal
Tapas Mondal

Camera
Anupam

Edit
Soumyadeep

Post processing
Anupam

Camera Used
Phone Camera

Gear Used
No

Microphone used
Phone Microphone

Music Used

Kine Master Inbuilt Music
1. Darkest Heart
2. Haunted
3. Shadow March
4. The Invisible Fear

No animals were harmed during the making of this film.
Cigarette smoking is injurious to health it causes cancer.

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