Скачать или смотреть 📅Raag Tilang Vocal - Subhra Guha Sahiba Teaches: Aroh, Avaroh, Pakad, Bandish, and Sargam

Brought To You by Adam Gheli aka Bhaijaan Yousufi

Thaat: Khammaj
Aarohi: S G m P N S'
Amrohi: S' n P m G---m G S
Vadi: G
Samvadi: N
Pakard: G m P n m P N S'---S' n P m G m G
Time: 6 pm - 9 pm
Zaat: Audav - Audav

Raag Tilang is a Hindustani classical raga that belongs to the Khamaj thaat. It is a pentatonic raga, meaning that it has only five notes. The notes are shadja (S), gandhara (G), madhyama (M), pancham (P), and dhaivat (N). The nishada (N) is either komal (flat) or shuddha (natural).

The vadi (dominant) note of Raag Tilang is the gandhara (G), and the samvadi (subdominant) note is the pancham (P). The raga is characterized by its use of the komal nishada (N), which gives it a sweet and melancholic sound.

Raag Tilang is often played in the late evening or early night hours. It is believed to evoke feelings of peace, tranquility, and introspection. The raga is also associated with themes of love, longing, and separation.

Some famous compositions in Raag Tilang include:
"Tilang ki Malkauns" by Guru Nanak Dev Ji
"Tilang Vadhans" by Amir Khusrow
"Tilang Thumri" by Begum Akhtar
"Tilang Dadra" by Pt. Ravi Shankar
"Tilang Bhajan" by Krishna Das

Raag Tilang is a beautiful and versatile raga that can be enjoyed by both listeners and performers. It is a complex raga that requires a deep understanding of the nuances of Hindustani classical music. However, with practice, it can be a rewarding raga to learn and perform.

Here are some additional details about Raag Tilang:
The raga is said to have originated in the Middle East and was brought to India by Sufi musicians.
The raga is often used in devotional music, as it is believed to have a calming and meditative effect.
The raga is also associated with the seasons of autumn and winter.
Raag Tilang is a challenging raga to sing, as it requires a good deal of breath control and vocal agility.

Despite its challenges, Raag Tilang is a beautiful and rewarding raga that can be enjoyed by both listeners and performers. If you are interested in learning more about this raga, I recommend listening to some of the recordings mentioned above or taking a class from a qualified teacher.

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Intro: (0:00)
Pakard: (0:18)
Bandish: (0:28)
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