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Скачать или смотреть Swallow - Why Am I Treated So Bad [1972 Brass Rock USA]

  • The Day After The Sabbath
  • 2025-12-23
  • 82
Swallow - Why Am I Treated So Bad [1972 Brass Rock USA]
obscure 70s rockrare 60s rockproto metalpsychedelic rockprogressive rockhard rockgarage rockfuzz rockacid rockvintage heavy metalfreakbeatNWOBHMearly punkdoom rock70s progclassic rock festivals
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Описание к видео Swallow - Why Am I Treated So Bad [1972 Brass Rock USA]

Album: Out Of The Nest
Get this 2nd brass-rock volume of TDATS at: https://aftersabbath.blogspot.com/201...
This is a band I came across a while ago on the southern rock blog Skydog's Elesium. They are not a southern rock band but they had a connection to Atlanta Rhythm Section who undoubtedly were (see southern rock Vol65). ARS members Barry Bailey and J.R. Cobb played on the second and final Swallow album, but I have chosen a track from the first album that was called 'Out of the Nest'. Here's what allmusic.com has to say:

"The first album from Swallow was produced by Jean Paul Salvatori, who put together the excellent Bootleg Him! double LP of Alexis Korner material this same year, 1972. Jeff "Skunk" Baxter of Ultimate Spinach, later with Steely Dan and the Doobie Brothers, appears on "Come Home Woman," an original from bassist Vernon Miller Jr., who was part of the band who opened for the Beatles in 1966, the legendary Barry & the Remains. Miller's presence adds collectability to this debut.

"Come Home Woman" would have been perfect for Alexis Korner, come to think of it, a bluesy lament which begins with Baxter's wonderful guitar work and picks up steam, letting George Leh open up and battle the horns -- the voice and instruments stir things up so fine. "Aches and Pains" is one of the four Vern Miller Jr./George Leh co-writes, and it is gospel-tinged blues which spills over onto "Common Man." There's real personality here, music perhaps a little too earthy for the Blood, Sweat & Tears crowd, but authentic to the max. Recorded and mixed where Aerosmith cut "Dream On" and where Jonathan Edwards of Orphan tracked "Sunshine," "Out of the Nest" is post-Bosstown serious singing and playing.

Leh's got that Nick Gravenites gravel growl on "Something Started Happening," a tune with charging dynamics, perhaps this band's strong suit. Miller's "Brown Eyed Baby Boy" is a plea for love with a solid hook that would work well for the Remains since that group started recording again in the new millennium. The Staple Singers' composition "Why Am I Treated So Bad," also covered by Cannonball Adderley and the Sweet Inspirations, adds another dimension to the mix, the organ of Bob Camacho getting to have its say. Mick Aranda's creative drumming is also worthy of note. Out of the Nest is an excellent document of early-'70s Boston roots rock/blues music with just a touch of jazz."

Other players not mentioned above were Phil Green (gtr), Kerry Blount (Sax), Gordon Kennedy (trombone), Andy Harp & Jay DeWald on trumpets and Parker Wheeler (harp).


#hornrock #brassrock #hardrock #heavypsych #heavyprog #70srock #progressiverock #progrock #psychrock #psychedelicrock #psychedelic #bluesrock #tdats

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