Скачать или смотреть Todd Snider - Sail On, My Friend (Official Video + Behind the Scenes) [New album available April 23]

The official video for Todd Snider - Sail On, My Friend
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New album First Agnostic Church of Hope and Wonder out now: https://toddsnider.net/fac/
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From First Agnostic Church of Hope and Wonder—the 19th solo album by Todd Snider—featuring 10 new tracks via Aimless Records/Thirty Tigers. Recorded at The Purple Building in East Nashville. Produced by Todd Snider.

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Sail On, My Friend:
Produced by Todd Snider
Recorded by Colin Cargile and Joe Bisirri
Addn’l production & mixed by Tchad Blake at Full Mongrel & Co., Wales
Filmed by Joel Roderick
Filmed at The Purple Building in East Nashville, TN

Todd Snider - lead vocals, bass guitar, acoustic guitar, harmonica, piano
Robbie Crowell - drums, junk hat
Tchad Blake - shaker, bells

YOU ALWAYS KNEW I UNDERSTOOD,
YOU KNEW I'D SAY WHAT I SAID
HAD I KNOWN IT WOULD GO THE WAY IT WOULD
I WOULD HAVE SAID THIS INSTEAD

SAIL ON, SAIL ON, MY FRIEND
SAIL ON INTO A NEW HORIZON
IF YOU CAN'T PLAY THAT SAME OLD SONG AGAIN
I SAY SAIL ON

LETS JUST SAY YOU BROKE A STRING
AND RAISE A TOAST TO YOUR HEALTH
YOU DON'T HAVE TO PLAY OR SING FOR
ANYONE ELSE BUT YOURSELF

SAIL ON, SAIL ON, MY FRIEND
SAIL ON INTO A NEW HORIZON
IF YOU CAN'T PLAY THAT SAME OLD SONG AGAIN
I SAY SAIL ON

BREAK A LEG IN PARADISE
SAVE A PLACE FOR ME
I DON'T KNOW FROM GOOD ADVICE
SO I’LL JUST SEE YOU
WHEN I SEE YOU

SAIL ON, SAIL ON, MY FRIEND
SAIL ON INTO A NEW HORIZON
IF YOU CAN'T PLAY THAT SAME OLD SONG AGAIN
SAIL ON

About Todd Snider:
You don't often hear about an artist reinventing their sound ten albums into a celebrated career. But for Todd Snider, his latest release, First Agnostic Church of Hope and Wonder, isn't so much a sudden change in direction as an arrival after years of searching.

“After my last album Agnostic Hymns, I felt like I was out of ideas and I just didn't know where to go next,” Snider says. “So I did a side project with the Hard Working Americans, and I learned a ton. I tried to study music by other people, and come to this record hoping that I'd have something new to say. I wanted to do what I was calling 'funk in back and busking up front, with White Album-y shit scattered about.' I had done a lot of listening to Parliament and James Brown and lots of reggae music, too. It's embarrassing to admit, but I've been trying to think of this sound all my life. This is the closest I've come to thinking, 'Man, I don't know that I've heard anything like this before.'”

Especially within the often too-purist context of Americana, the record's sound is refreshingly experimental. More funk than folk, more Sly Stone than singer-songwriter, it's fatback-style grooves, full of ghost notes and disparate syncopated elements, slither and slide around Snider's acoustic guitar with caduceus-like precision. The arrangements are given extra texture and atmosphere by ace mixer/multi-instrumentalist Tchad Blake (Tom Waits, Elvis Costello). On songs like “Never Let A Day Go By,” “Stoner Yodel Number One” and “The Get Together,” there is a taut, dry snap, an intimacy that invites you inside and best of all, opens up space for Snider's husky voice and thought-provoking lyrics to breathe and connect. It's music that makes you move, smile and think all at once.

Continue Reading: https://toddsnider.net/bio

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