Скачать или смотреть 🔥 [FREE] PnB Rock x Jay Prince Type Beat 2019 "Some Nights" [R&B | New School | Trapsoul]

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🔥 [FREE] PnB Rock x Jay Prince Type Beat 2019 "Some Nights" [Prod.By Arti Beats]
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Some producers jump on trends and try to produce the popular sound. But that’s been going on long before selling beats online. People blame type beats for uncreativity—uncreativity has existed forever.

But Batshon contends that a site like Beatstars represents a more reliable money-making forum for producers in the modern world. “How hard is it to crack into the industry?” he asks. “One out of a million producers really crack into the industry. We have a much higher percentage of users that are actually making a living setting up their own online business.” It may not be 70 grand a beat, but how many Timbalands are out there? Online beat sales is a volume game—DJ Pain 1 uploads at least two beats every week—and if you have regular customers, that money can add up over over time.

Menace has yet another fear about the type beat explosion. “The problem with ‘Panda’ coming so early in my life is I didn’t have any catalog,” he explains. “People are saying ‘Panda;’ they’re not saying Menace or Desiigner. If you had a catalog you’re building up beforehand, people will at least know you. Otherwise the hit can be bigger than the artist or the producer.” But this is also not a problem that’s limited to type beats—viral hits are commonplace now. To be a producer who’s more than just a viral sensation, you need to do what Jazze Pha calls “making hits a habit.” In between hits, though, it might not hurt to sell some beats online.

If some producers have reservations about type beats, rappers seem increasingly happy to embrace them. “Putting ‘type beat’ is a way to be on the same page as everyone,” Ponte says. “Artists know to look for that, especially younger ones. People under the age of 25 never knew a world without type beats.”

Though type beats are a relatively recent phenomenon, Syk Sense suggests the arguments around them are nothing new. “It’s like the guys that we sample from back in the day who don’t agree with us sampling them because they don’t approve of how we manipulate their sounds,” he says.

DJ Pain 1 also links the debate around type beats to an age-old tension: art vs. commerce. “Musicians tend not to see themselves as business entities; they’re looking for resources, shortcuts, to focus on making art,” he explains. “The unfortunate reality is you have to treat yourself as a business if you want to make money off of your art.”