How to SOUND SWEET on GUITAR

How to sound SWEET on GUITAR
In this lesson I go over Mixing Major and minor Pentatonic to sound sweet on guitar. Mixing of these two seemingly opposite scales is a challenge to all beginners and intermediates alike until they understand some basic tips on which notes to use and how to implement them. I try to breakdown each not and how it works over a standard progression. I had a lot of fun putting this together and I hope you enjoy.

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CHAPTERS
0:00 INTRO
00:28 MAKING THE LOOP
00:55 MINOR PENTATONIC OVER MINOR CHORDS
1:18 MINOR PENTATONIC RECAP
1:36 MAJOR PENTATONIC EXAMPLE
2:12 MAJOR PENTATONIC OVER MINOR CHORDS
2:30 WHY YOU CAN'T JUST SWITCH SCALES
3:26 WHAT MAKES THE MAJOR PENTATONIC DIFFERENT
3:56 ADDING MAJOR 3RD
4:48 PLAYING EXAMPLE
5:05 ADDING MAJOR 3RD PLAYING EXAMPLE
5:34 MIXING 3RDS OVERVIEW
7:56 COFFEE BREAK
8:19 ADDING MAJOR 6TH
10:05 ADDING MAJOR 6TH PLAYING EXAMPLE
10:29 DANCING WITH OUTSIDE NOTES
10:52 ADDING MAJOR 3RD AND 6TH
11:40 SPRINKLING NOTES
12:23 FULL 12 BLUES PROGRESSION LOOP
12:48 ADDING 3RDS AND 6THS PLAYING EX
13:38 TENSION OVER TURNAROUNDS
14:40 MAJOR 9TH OVERVIEW
15:59 SHIFTING FROM MINOR TO MAJOR WANKERY
16:35 MIXING MAJOR MINOR LIKE HENDRIX
17:14 SUMMARY
18:15 OUTRO

Music: Leather Pie (all rights owned)