Symphony No. 3, Op. 33 - II. Andante tranquillo
Composer: Howard Hanson (1896-1981)
Performer: Seattle Symphony
Conductor: Gerard Schwarz
Howard Harold Hanson (October 28, 1896 February 26, 1981) was an American composer, conductor, educator, music theorist, and ardent champion of American classical music. Director for 40 years of the Eastman School of Music, he built a top quality school and provided unparalleled opportunities for commissioning and performing American music. He won a Pulitzer Prize for one of his works and received numerous other awards.
Hanson was born in Wahoo, Nebraska to Swedish parents, Hans and Hilma (Eckstrom) Hanson. In his youth he studied music with his mother. Later, he studied at Luther College in Wahoo, receiving a diploma in 1911, then at the Institute of Musical Art in New York City, where he studied with the composer and music theorist Percy Goetschius in 1914. Afterwards he attended Northwestern University, where he studied composition with church music expert Peter Lutkin and Arne Oldberg in Chicago. Throughout his education, Hanson studied piano, cello and trombone. Hanson earned his BA degree in music from Northwestern University in 1916, where he began his teaching career as a teacher's assistant.
In 1916, Hanson was hired for his first full-time position as a music theory and composition teacher at the College of the Pacific in California. Only three years later, the college appointed him Dean of the Conservatory of Fine Arts in 1919. In 1920, Hanson composed The California Forest Play, his earliest work to receive national attention. Hanson also wrote a number of orchestral and chamber works during his years in California, including Concerto da Camera, Symphonic Legend, Symphonic Rhapsody, various solo piano works, such as Two Yuletide Pieces, and the Scandinavian Suite, which celebrated his Lutheran and Scandinavian heritage.
In 1921 Hanson was the first recipient (along with Leo Sowerby) of the American Academy's Rome Prize, awarded for both The California Forest Play and his symphonic poem Before the Dawn. Thanks to the award, Hanson lived in Italy for three years. During his time in Italy, Hanson wrote a Quartet in One Movement, Lux aeterna, The Lament for Beowulf (orchestration Bernhard Kaun), and his Symphony No. 1, "Nordic", the premiere of which he conducted with the Augusteo Orchestra on May 30, 1923. Upon returning from Rome, Hanson's conducting career took off. He made his premiere conducting the New York Symphony Orchestra in his tone poem North and West. In Rochester, New York in 1924, he conducted his Symphony No. 1. This performance brought him to the attention of George Eastman.
Eastman chose Hanson to be director of the Eastman School of Music. Inventor of the Kodak camera and roll film, and business master, Eastman had become a major philanthropist. He used some of his great wealth to endow the Eastman School of Music at the University of Rochester.
Hanson held the position of director for forty years, during which he created one of the most prestigious music schools in America. He accomplished this by improving the curriculum, bringing in better teachers, and refining the school's orchestras. Also, he balanced the school's faculty between American and European teachers, even when this meant passing up composer Béla Bartók. Hanson offered a position to Bartók teaching composition at Eastman, but Bartók declined as he did not believe that one could teach composition. Instead, Bartók wanted to teach piano at the Eastman School, but Hanson already had a full staff of piano instructors.
In 1925, Hanson established the American Composers Orchestral Concerts. Later, he founded the Eastman-Rochester Symphony Orchestra, which consisted of first chair players from the Rochester Philharmonic Orchestra and selected students from the Eastman School. He followed that by establishing the Festivals of American Music. To celebrate the 50th anniversary of the Boston Symphony Orchestra, Serge Koussevitzky commissioned Hanson's Symphony No. 2, the "Romantic", and premiered it on November 28, 1930. This work was to become Hanson's best known.
The opening theme of his Third Symphony's second movement is one of the most haunting and memorable passages in American music. The Third was written 1936-38 and first played by the NBC Symphony Orchestra.
Hanson was elected as a member of the National Institute of Arts and Letters in 1935, President of the Music Teachers' National Association from 1929 to 1930, and President of the National Association of Schools of Music from 1935 to 1939.
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