AI-Generated Scene Test with Google Flow + ChatGPT
I started a free trial of Google Flow and created this cinematic scene using the following prompt (see below). The dialogue was written with the help of ChatGPT.
The scene is set in the Sahara Desert in the 1920s:
A car rolls along a dusty road. In the driver’s seat, a man and a woman silently watch the road ahead. The man has short blond hair and a scar across his cheek. The woman has long brown hair and a hat. In the background, a caravan of travelers on camels passes in the other direction. The car parks in an area full of tents. They get out and walk into one of the tents, where they are greeted by a general in a World War I-era uniform. Inside the tent, the general sits behind a desk, and the others sit in wooden chairs. They begin talking. [See full script below.]
💬 Observations:
• The Fast model performed better than the Quality model—the latter ignored the script and generated its own dialogue entirely.
• The Fast model followed the script better, but still misattributed some lines to the wrong speakers.
• Faces and voices morph inconsistently across the video, which breaks immersion.
That said, the technology is impressive. With more control, editing, and curation, it could be incredibly powerful for prototyping stories or visual ideas.
⚠️ Biggest Limitation: The $19.99/month plan’s credits run out fast. To do anything meaningful, you’d likely need the $250/month plan.
📜 Full script below.
INT. DESERT TENT – SAHARA DESERT – DAY
A canvas tent flaps in the dry wind. Maps of North Africa lie strewn across a rough wooden table. Inside, a French GENERAL, grizzled and sunburnt, pours coffee from a tin pot. THOMAS, a curious, rugged civilian in his 30s, sits opposite. ELENA, a sharp-eyed woman with a satchel of notes, leans over the map.
⸻
THOMAS
So… what’s the current situation out here?
GENERAL DUBOIS (gruffly, French accent)
The war may be over in Europe, monsieur, but out here? The sands never forget chaos. The old tribes—Tuareg, Berbers—some helped us fight the Ottomans. Others now push back. Borders mean nothing in the dunes. The French, the British—we draw lines on maps, but the desert laughs.
ELENA
Wait—did you say the Tuareg are resisting again? I thought they signed treaties after the armistice?
GENERAL DUBOIS (sips his coffee, then nods)
Treaties, yes. But peace is… fragile. They do not trust us, and perhaps they shouldn’t. We offer railways, they see chains. We bring civilization, they see occupation. And now, with the Germans gone from the picture, the old power struggles return.
GENERAL DUBOIS (leans forward)
But tell me, why are two civilians trekking into a war-stirred Sahara?
THOMAS (grins sheepishly)
We’re looking for a lost treasure. Supposedly hidden centuries ago in one of the old caravan routes near Tassili.
GENERAL DUBOIS (lets out a deep laugh)
Ah! Of course. Always the treasure. The Sahara buries more dreams than gold, monsieur.
ELENA (calmly, passionately)
It’s not just treasure. The records mention ancient scrolls—artifacts from the Garamantian kingdom. If they survived, it could rewrite what we know of early trans-Saharan trade.
GENERAL DUBOIS (smiles, a touch softer)
Then may the winds favor you. And watch the desert closely. It hides more than it reveals.
⸻
The tent flaps open slightly, light pouring across the weathered map as the scene fades.
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