Big and Bold Art in Texas | The Express Way with Dulé Hill | Full Episode | PBS

Описание к видео Big and Bold Art in Texas | The Express Way with Dulé Hill | Full Episode | PBS

Official website: https://to.pbs.org/3TwQDsm | #ExpressWayPBS

In Texas, Dulé Hill connects with an Aztec dancer, blind painter and Latino theater director, each breaking down cultural barriers and becoming leaders for the next generation.

In Houston, Dulé learns the “Mexica” handshake from Abuela M'api Rainflowa, the founder of Houston Aztec Dance & Drum. Rainflowa, who grew up as a devout Catholic believing that she was of Mexican decent, learned in college that she was actually indigenous. Rainflowa teaches Dulé the Aztec Sun Dance, and he later joins her for a sweat lodge ceremony, exploring the spiritual roots of indigenous practices. In Dallas, Dulé meets David Lozano, Executive Director of Cara Mía Theatre. Cara Mía uses daring theatrical productions to amplify the Latino experience in the United States including one-woman play featuring Liz Magallanes, an undocumented immigrant, about her experience as a “dreamer.” And in Denton, Dulé connects with John Bramblitt, a blind painter who lost his vision in 2001 and, as a result, re-taught himself to paint by touch. He currently leads workshops at museums like the Guggenheim, helping others with blindness reclaim their artistic abilities.

The Express Way with Dulé Hill | Texas | Full Episode

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The Express Way with Dulé Hill
In a new four-part series, multi-talented actor and performer Dulé Hill (“The Wonder Years,” “The West Wing”) and director Danny Lee (“Who Is Stan Smith?”) take audiences on an emotional and celebratory road trip across the nation to explore the transformative power of the arts. Along his journey, Hill travels to California, the Appalachian region, Texas and Chicago to connect with local visionaries, activists, changemakers and pioneers who are using their artistic passions to foster connection, deepen empathy, and create meaningful change within their communities.

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