Bhairavi Chetavani | Narci | Dr. Krimal Acharya | Hindi Rap (Prod. By Narci)

Описание к видео Bhairavi Chetavani | Narci | Dr. Krimal Acharya | Hindi Rap (Prod. By Narci)

Song: Bhairavi Chetavani
Rap: Narci (  / narci_thoughts  )
Singer: Dr. Krimal Acharya (  / krimalacharya  )
Lyrics: Narci & Traditional
Music & Arrangement: Narci
Mixing & Mastering: Xzeus
Artwork & Visuals: iKillGraphix

ABOUT 'BHAIRAVI CHETAVANI' SONG
This song has been written from the perspective of Goddess Bhairavi. Through this song, the artist is trying to convey that Mother Bhairavi keeps an eye on every good and bad thing that happens in this world. Before Mother Bhairavi in her fierce form sheds rivers of blood of demons, she is giving everyone a chance to reform. The arrival of Goddess Bhairavi is certain but before her arrival, she is leaving a warning, whoever understands her warning will be under the shadow of her grace and whoever ignores her warning, she herself will come in the form of terrible death.

ABOUT GODDESS BHAIRAVI
The goddess of destruction is the consort of Kala Bhairava, the aggressive form of Lord Shiva hence also known as Kala Bhairavi. Goddess Kali is known as the most primordial form of energy (Adi Shakti). She is worshiped in ten different forms known as Dasa Mahavidyas, the fifth of which is Bhairavi. That is also the reason she shares so many characteristics with Goddess Kali.

Goddess Bhairavi is often portraited in a cremation ground doing different kinds of sadhana. Her hair, unlike other goddesses, is not tied neatly, sprawling all across her head. She wears red garments with a garland made up of skulls, just like Goddess Kali. Her one hand is shown, granting us boon and telling us to show no fear. On the one hand, she carries a sword, and on the other hand, she carries a body-less head. She has dark greyish red skin and blood smeared on her body. She is shown holding weapons such as a trident and a thunderbolt.

Goddess Bhairavi is often portrayed sitting on a headless body referred to as Savasadhana, which is also a form of meditation. Her two hands are in Abhaya and Varada mudras. Her Vahana is a lion which shows her power on a battlefield. She is pictured either in an ecstatic or a ferocious mood with fangs.

LYRICS
[Krimal Acharya]
Shiva duti svarupena hata daitya mahabale
Ghor rupe maha rave Bhairavi namostute
Lakshmi lajje maha vidye shraddhe pushti svadhe dhruve
Maha ratri maha vidye Bhairavi namostute

[Narci]
Sar kaatun main paapi
Paapi sar kaatun main kaafi
Kaafi sar katne hai baaki
Machale hathon mein daraanti
Machale hathon mein talwar, shool
karun vaar gire kahin sheesh door
Talwar maange meri neech khoon
Main sheesh neech ka pees doon
Kali kaal ki bhool bhulaiya mein hota kyun banda gum?
Khaat bana lo arthi ki, sath talashon kandha tum
Talwar meri teri paap karam ki jaane saari taareekhein
Main kaat saron ko, pade shavon pe, naach karungi andhaadhundh
Paapo pe tu rok laga, bachane ka abhi avsar hai
Dharm ki raah pe pair badha, na prerit ho tu Hastar se
Dastak deti yadi tujhe meri na chetavani
Sar tera ye kaat adharmi thaam chalungi has kar main
Saaf hridy ke bhakton se kuch aisa mera bandhan ho
Stuti meri hi bhakton ki sab peedaan ki bhanjan ho
Saaf hridy aur bhakti ki shakti ka kuch hai prabhaav
Ugr roop mein bhi unko mere saumya roop ke darshan ho
Paap se tapti dhara pe hoga mera hi to saavan
Kaatungi fir Chand-Mund main, dhara ke saare Ravan
Paapon ka hisaab na hoga aisa na tum paalo bhram
Kalki se pehle hoga mera hi aavahan

[Krimal Acharya]
Shiva duti svarupena hata daitya mahabale
Ghor rupe maha rave Bhairavi namostute
Lakshmi lajje maha vidye shraddhe pushti svadhe dhruve
Maha ratri maha vidye Bhairavi namostute

[Narci]
Maa banke samjhati hoon to baatein meri lena maan
Sath chor de aaj adharmi, neech teri tu sena ka
Baat yadi tu samjh gaya to dhaal banugi teri main
Warna main bhi jaanun lete raakshason kaise praan
Dharm chor jo asur bane wo khadg ka mere graas hai
Kate saron se behta rakt shaant kare meri pyaas hai
khadg uthane se pehle mera roop hi lega praan tere
Baithi hoon Shamshaan mein, sheesh kati main lash pe
Lena na mazak mein baatein, ghoom rahi main chaaron aur
Kaun hai kaami, kaun laalchi, dekh rahi main saaron ko
Janm diya hai maine to kyun Kali ke seekhe gun?
Samay pada hai tyag abhi tu paap bhare kirdaaron ko
Sar ko meri god pe rakh, baalon ko sehlaane de
Paap geet pe rok laga tu lori mujhko gaane de
Samay abhi bhi pashchaataap ka baaton pe tu gaur to kar
Kali naam ke MITHYA peeche SATYA kahin na jaane de
Paap se tapti dhara pe hoga mera hi to saavan
Kaatungi fir Chand-Mund main, dhara ke saare Ravan
Paapon ka hisaab na hoga aisa na tum paalo bhram
Kalki se pehle hoga mera hi aavahan

[Krimal Acharya]
Shiva duti svarupena hata daitya mahabale
Ghor rupe maha rave Bhairavi namostute
Lakshmi lajje maha vidye shraddhe pushti svadhe dhruve
Maha ratri maha vidye Bhairavi namostute

Sarva rupe sarva shakti aadi devi samanvite
Bhaye bhya strahi no Bhairavi namostute
Etat e mukham saumyam nayana traya bhushitam
Patu nah bhiti bhyah Bhairavi namostute
#bhairavi #hindirap #jaimatadi

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