7 Beautiful Endings for Jazz Tunes

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LESSON SUMMARY
Have you ever noticed that the last chord on many lead sheets isn't the 1-chord? In fact, most jazz tunes in a fake book contain no endings at all. Instead, you'll usually find that the final two chords are the 2-chord and the 5-chord. The ii-V progression at the end is there to take you back to the top of the form to launch into the solo section. So how do land the plane and bring everything to a close? Of course, you could simply end with a 2-5-1 progression. However, endings are frequently a place where jazz musicians like to display some harmonic innovation. Adding unanticipated chord colors to the final cadence grabs the audience's attention. It also helps create a stronger sense of closure. In today's Quick Tip, John Proulx breaks down 7 Beautiful Endings for Jazz Tunes. You'll learn:
-7 beautiful endings for any tune
-Beautiful jazz piano chord voicings
-Final arpeggio techniques
-Music theory analysis supporting each ending

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Chapters:
00:00 - Intro
00:47 - 1. bII Maj7 - I Maj7
05:25 - 2. bVI Maj7 - bII Maj7 - I Maj7
07:21 - 3. bIII Maj7 - bII Maj7 - I Maj7
09:22 - 4. bVII7 - I Maj7
11:08 - 5. iv7 - bVII7 - I Maj7
14:15 - 6. bVII7 - VII13b9 - I Maj7
15:41 - 7. #iv7b9 - iv7 - I add2/ III - bIII dim7 - ii7 - bII Maj7 - I Maj7
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Happy practicing!
Jonny May