Скачать или смотреть 6.Madame Bovary: Mœurs de province [madam bɔvaʁi mœʁ(s) də pʁɔvɛ̃s]), is a novel by French writer 10

Charles Bovary is a shy, oddly dresse
One day, Charles visits a local farm to set the owner's broken leg and meets his patient's daughter, Emma Rouault. Emma is a beautiful, poetically dressed young woman who has a yearning for luxury and romance inspired by reading popular novels. Charles is immediately attracted to her, and when Héloïse dies, Charles waits a decent interval before courting Emma in earnest. Her father gives his consent, and Emma and Charles marry.

Emma finds her married life dull and becomes listless. Charles decides his wife needs a change of scenery and moves his practice to the larger market town of Yonville. There, Emma gives birth to a daughter, Berthe, but motherhood proves a disappointment to Emma. She becomes infatuated with Léon Dupuis, a law student who shares Emma's appreciation for literature and music. Emma does not acknowledge her passion for Léon, who departs for Paris to continue his studies.

Next, Emma begins an affair with a rich and rakish landowner, Rodolphe Boulanger. After four years, she insists they run away together. Rodolphe does not share her enthusiasm for this plan and on the eve of their planned departure, he ends the relationship with a letter placed at the bottom of a basket of apricots delivered to Emma. The shock is so great that Emma falls deathly ill and returns to religion.

When Emma recovers, she and Charles attend the opera, at Charles' insistence, in nearby Rouen. The opera reawakens Emma's passions, and she re-encounters Léon who, now educated and working in Rouen, is also attending the opera. They begin an affair. Emma indulges her fancy for luxury goods and clothes with purchases made on credit from the merchant Lheureux, who arranges for her to obtain power of attorney over Charles' estate.

When Lheureux calls in Bovary's debt, Emma pleads for money from several people, only to be turned down. In despair, she swallows arsenic and dies an agonizing death. Charles, heartbroken, abandons himself to grief, stops working, and lives by selling off his possessions. When he dies, his young daughter Berthe is placed with her grandmother, who soon dies. Berthe lives with an impoverished aunt, who sends her to work in a cotton mill. The book concludes with the local pharmacist Homais, who had competed with Charles' medical practice, gaining prominence among Yonville people and being rewarded for his medical achievements.

Characters
Emma Bovary is the novel's eponymous protagonist. She has a highly romanticized view of the world and craves beauty, wealth, passion, as well as high society.

Charles Bovary, Emma's husband, is a very simple and common man. He is an officier de santé, or "health officer".

Rodolphe Boulanger is a wealthy local man who seduces Emma as one more in a long string of mistresses.

Léon Dupuis is a clerk who introduces Emma to poetry and who falls in love with her.

Monsieur Lheureux is a sly merchant who lends money to Charles and leads the Bovarys into debt and financial ruin.

Monsieur Homais is the town pharmacist.

Justin is Monsieur Homais' apprentice and second cousin who harbors a crush on Emma.

Style
The book was in some ways inspired by the life of a schoolfriend of the author who became a doctor. Flaubert's friend and mentor, Louis Bouilhet, had suggested to him that this might be a suitably "down-to-earth" subject for a novel and that Flaubert should attempt to write in a "natural way," without digressions.[2] The writing style was of supreme importance to Flaubert. While writing the novel, he wrote that it would be "a book about nothing, a book dependent on nothing external, which would be held together by the internal strength of its style",[3] an aim which, for the critic Jean Rousset, made Flaubert "the first in date of the non-figurative novelists", such as James Joyce and Virginia Woolf.[4] Though Flaubert avowed no liking for the style of Balzac, the novel he produced became arguably a prime example and an enhancement of literary realism in the vein of Balzac. The "realism" in the novel was to prove an important element in the trial for obscenity: the lead prosecutor argued that not only was the novel immoral, but that realism in literature was an offence against art and decency.[5]

The realist movement was, in part, a reaction against romanticism. Emma may be said to be the embodiment of a romantic: in her mental and emotional process, she has no relation to the realities of her world. Although in some ways he may seem to identify with Emma,[6] Flaubert frequently mocks her romantic daydreaming and taste in literature. The accuracy of Flaubert's supposed assertion that "Madame Bovary, c'est moi" ("Madame Bovary is me") has been questioned.[6][7][8] In his letters, he distanced himself from the sentiments in the novel. To Edma Roger des Genettes, he wrote, "Tout ce que j'aime n'y est pas" ("all that I love is not there") and to Marie-Sophie Leroyer de Chantepie, "je n'y ai rien mis ni de mes sentiments ni de m