Dead Drums + Room Resonance

It seems that there’s never quite enough attention paid to the impact of the acoustic environment when it comes to analyzing drum sounds. In this episode, we’ll use some digital reverbs to demonstrate how super muffled, dead drum sounds can be transformed in particular sonic environment while discussing how that could impact your decision making process for tuning and muffling.

PATREON:
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PRODUCTION PARTNERS:
GIK Acoustics (sonic treatment): https://sladl.ink/GIK
AKG Audio (microphones): https://sladl.ink/AKG
Evans Drumheads: https://sladl.ink/EvansDrumheads
ProMark Drumsticks: https://sladl.ink/ProMarkDrumsticks

Signal chain:
Mics - Focusrite Clarett 8Pre USB- Mac Studio w/Pro Tools 2024.3.1
Recorded at 48kHz / 24bit
Microphones: Pair of AKG C314 in Recorderman Configuration
Toms: Lauten Tom Mics
Kick Drum: AKG D12VR
Snare: Lauten Snare Mic

Acoustic Treatment:
GIK 242 Acoustic Panels
GIK 4A Alpha Pro Series Diffusor/Absorber
GIK Evolution PolyFusor Combination Sound Diffuser/Absorber
GIK Tri-Trap Corner Bass Trap

Drums:
Pearl Masters Maple Custom Extra + Ludwig LM400 Supraphonic
Cymbals:
22” Jesse Simpson clone of old Zildjian A, 15" Zildjian Prototype Hihats

Drumheads:
Snare: Evans G12 Coated / Snare Side 300
Toms: Evans UV2 Coated / G1 Clear
Kick Drum: Evans UV EMAD / EQ3 Coated Reso

Hosted by: Cody Rahn
Production & Consulting: Ben O'Brien Smith @ Cadence Independent Media

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