Perfect Music Video Sync – any framerate...every time

0:00 Why shoot your Music Video offspeed?
1:09 Intro to custom timecode slates
1:47 Episode summary
2:54 Demonstration of offspeed performance
7:06 Post-production demo of syncing takes to original track
11:14 The finished product
12:41 How to edit your own custom timecode slates
20:20 The secret formula for speed changing your offspeed slates
24:00 Easy file transfer to VLC
24:29 Hot gear tips and on-set strategies
28:25 Multipass, multi-framerate motion control
32:36 In conclusion

If you want to see more from the low-key geniuses at camBLOCK Motion Control – like & follow their Facebook page at   / camblock  

If you want more info on any of the techniques, or you’re interested in a more detailed episode on my M1Max MacBook Pro based editing suite, hit me up in the comments.

This episode was shot with the following cameras:
• RED Monstro + Atlas Orion 40mm anamorphic wide-open at T2 – shot at 7K to get past the Orion’s vignette on full-frame sensors, mounted on the mighty camBLOCK Adventure motion control system. Dolly shots during editing were on the Orion 65mm.
Canon C500mkII + 40mm Orion for the editing, Canon 16-35mm L-series for the piece-to-camera stuff
RED Komodo + Canon 15mm fisheye
Canon C70 w/speedbooster + Ziess Distagon 35mm mounted on DJI RS-2 with 3D focus (had intended to use this for a different purpose but ran out of time)
Marshall CV503 HD-SDI block camera on moco/foolcontrol tablets
Cameras synced together using Timecode Systems UltraSync Ones.

  / graetzmedia  
IG: @graetzy80