Barry Gray - Main Theme/End Titles Space: 1999.

Tema principal y cierre de la serie "Space: 1999 (Año 1)" realizada en 1975.

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Album: "Space: 1999 - Year 1 [Original Television Soundtrack]"
Track 12: "Main Theme (Extended Alternative Version)"
Track 15: "End Titles"
Composed, Arranged, Conductor: Barry Gray
Executive-producer [Musical Associate]: Vic Elms
Producer: Geoffrey Heath
Accordion [Electronic] – Jack Emblow
Bass – John McCoy
Cello – Clive Amstee, Edward Holmes, Ernest Greaves, F. Gabarro, Ken Heath, Philip Brothers, Reg Kilbey, Bill De Mont
Clarinet – Bob Efford, Bob Skeat, Cyril Reuben, Peter Hughes
Double Bass – Joe Mudele, Tim Bell
Drums – Liam Genockey
Electric Guitar – Vic Elms
Flute – Bill Hudson, Jack Ellory
Harp – David Snell
Horns – Andy McGavin, Jim Buck, John Burden
Oboe – Aubrey Johnson, D. Wooley, D. Wickins, Richard Morgan
Percussion – Alan Hakin, Dennis Lopez, Eric Allan, Stan Barratt, Tristan Fry
Piano – Bob Docker
Trombone – Bill Geldard, Jack Bain, Wally Smith
Trumpet – Freddy Clayton, George Taylor, Tom McQuater
Tuba – Alf Reece
Viola – Bernard Davis, Bing James, Brian Hawkins, G. Turnland, Graeme Scott, G. Edwards, Harry Danks, Ian Juwel, John Coulling, Maurice Loban
Violin – Alan Loveday, Alan Merrick, Arthur Price, Brian Smith, David Katz, D. Bradley, George French, Jack Mandel, Jack Rothstein, Jeff Wakefield, Joe Hitchenor, John Kirkland, John Sharp, Julian Gaillard, Kevin Duffy, Lionel Monte, M. Saltpeter Neil Watson, R. Cohen, Raymond Keenlyside, Red Leopold, S. Parrington, Tony Gilbert, W. Armon.
Label: Silva Screen ‎– FILMCD 608
Released: 2004
Copyright (c) – ATV Licensing Ltd.

Space: 1999 recording sessions between 1973 and 1974. Originally released in 1975.

The first season was co-produced by the British television ITC and the Italian television RAI, while the second season was only produced by ITC.
Space: 1999 was a British science-fiction television series of the mid-'70s executive-produced by Gerry Anderson (whose previous work included the series Fireball XL-5 and Thunderbirds) about a lunar space colony starring Martin Landau and Barbara Bain (both of Mission: Impossible fame). The series ran two seasons (26 episodes) and was syndicated in the U.S. For the scoring, Anderson turned to Barry Gray, a favorite composer of his. But, according to annotator Ralph Titterton, "the Musician's Union had enforced regulations that allowed Gray to score only five episodes in each 13," presumably to spread out TV work to more union members, and since Gray did not work on the second season, those five episodes -- "Matter of Life and Death," "Breakaway," "Black Sun," "Ring Around the Moon," and "Another Time, Another Place" -- constitute his only work for the series (and, as it happens, his final scoring work for films and television). That music makes up the bulk of this soundtrack album, although a host of other composers also contribute. Actually, Gray's writing sounds even more impressive than usual in the context of these interpolations. His extended suites, usually employing large orchestras, are the only music here that doesn't sound like it was just dashed off for a TV series. Rather, it sounds like good film music, full of emotion and nuance. Not that Gray is above coming up with short, lively rock music; this he does particularly in the main theme, co-written with Vic Elms (the former singer of the rock group Christie and Anderson's son-in-law). But for the most part, the gimmicky stuff is left to the likes of Giampiero Goneschi, whose music for the "Force of Life" episode is full of synthesizer blips, Jim Sullivan's sitar music for "The Troubled Spirit," and Elms and Alan Willis' wah-wah guitar music (think Shaft in space) for "Ring Around the Moon," although Paul Bonneau and Serge Lancen's music for "The Testament of Arkadia" is effective orchestral/choral scoring. (This nearly 80-minute CD released Silva Screen Records in 2005 is not to be confused with the much shorter LP of Space: 1999 soundtrack music released by RCA Victor Records in the mid-'70s.)
Source: All Music.

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