Why Polar Patterns Matter - A Vocalist that Moves too Close to the Mic

What do you do when the vocalist moves around? You may notice a change in proximity effect, which is the low-end boost when the vocalist gets close to the mic. The Lewitt 640 is a unique mic that allows a mixer to change the polar pattern, and thus the proximity effect after the recording process is over.

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Ribbon Mics:
AEA R88 - My standard (Stereo) drum overhead - It’s almost like cheating for drum recording https://amzn.to/2ERcrcT
AEA N8 - Easy to use, and works on just about anything - https://amzn.to/2HSEH0o
AEA N22 - Fantastic close mic that doesn’t get muddy - https://amzn.to/2WmHKqv

Tom mics:
CAD m179 https://amzn.to/2IhUUvj
Audix D4 https://amzn.to/2JV3N0V

Kick and Bass Cab Mic:
RE20 https://amzn.to/312S3ip
M88 https://amzn.to/2JXN7WL

Snare drum mic:
Audix i5 https://amzn.to/2IgAdzQ
Shure SM57 https://amzn.to/2WKvtvw
Preamps:
Warm Audio WA-412 https://amzn.to/2IiBN4b
Warm Audio TB-12 https://amzn.to/2JU1wTP
Warm Audio WA12 https://amzn.to/2JVbnbM
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Studio Monitors:
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Adam T7V https://amzn.to/2HW45CJ

Recommended “First Mic for Any Studio”:
Shure SM7B https://amzn.to/2JYfAeP
Use with the SM7B for a higher-end sound https://amzn.to/2KrFKpU

Vocal Mic - Soyuz 017 https://amzn.to/2ER9Gbs
Large Diaphragm Condenser - Soyuz 023 https://amzn.to/2ERo5Ex
Small Diaphragm Condensers - Soyuz 013 https://amzn.to/2JXjKDM

Nice and QUIET fan for the studio - https://amzn.to/2JVv1ok