Скачать или смотреть IFM2022: The Abstract Machine by Filipe Vale and Manuel José Damásio

This presentation is part of the #IFM2022 Virtual Conference - June 8-10, 2022.

The Abstract Machine
A Framework for Creative Editing

Filipe Vale
Universidade Lusófona de Humanidades e Tecnologias

Manuel José Damásio
Universidade Lusófona de Humanidades e Tecnologias

The General Logic
The last three decades have been a time of changes in filmmaking. Film editing as a part of it it’s not immune to this set of transformations. The driving force is the digital revolution, but the level of changes comes in different dimensions. To the filmmaking process brought a change in technology and equipment that impacted technical and creative procedures. The emergence of the internet, social networks, streaming platforms, altered the relationship between the spectator and the medium. Film language acquired the capacity to absorb styles originated in television and in other media and keeps evolving. The access to the tools is democratized. Any young adult can use a phone or a computer to edit video content that feeds social networks.
Throughout this evolutionary process, the montage theories have remained relatively stable but the scale of contextual changes requires an update to this different technological and cultural setting. This paper aims to answer this question by proposing a conceptual framework for creative film editing.
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ORGANIZING COMMITTEE: Hudson Moura, Chair (Toronto Metropolitan University (recently renamed), Canada), Heidi Rae Cooley (The University of Texas at Dallas, USA), Stefano Odorico (Leeds Trinity University, UK), Anna Wiehl (DiD-Digital Documentary Projects, University of Bayreuth, Germany).

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