Program:
Igor Stravinsky: Suite Italienne
César Franck: Sonata for Cello and Piano in A Major, FWV 8
Program Notes:
Victoria Ehrlich, cellist, was born in Texas and received her musical education at Southern Methodist University in Dallas, the Academy of Santa Cecilia in Rome, Italy, and the State University of New York at Stony Brook. She also attended summer programs at Interlochen, Aspen, and Tanglewood. Her teachers include Robert Marsh, Bernard Greenhouse, and Robert Gardner.
Before joining the San Francisco Opera Orchestra in 1984, she performed with the Santa Fe Opera, and Santa Fe Chamber Music Festival, and served as Principal Cellist with the symphonies of Omaha, Richmond, VA, and Phoenix.
Ms. Ehrlich has performed with the San Francisco Ballet, San Francisco Symphony, California and Berkeley Symphonies, Lamplighters, and the Russian Chamber Orchestra.
She’s also an active chamber musician, appearing regularly with the percussion group Adesso, the Gold Coast Chamber Players, Picasso Ensemble, the Fath Chamber Players, and the Ariel String Quartet. Recent work includes collaboration with poets and composers under the auspices of the American Composers' Forum.
Amy Zanrosso’s playing has been hailed as expressive, magnetic, and masterful but since no one at the New York Times has said this, she’s not allowed to put it in quotes. Her first touch of a keyboard was a two-octave electric organ that her parents had found who knows where. She enjoyed picking out tunes like O Sole Mio and Ode To Joy until her cousin decided to show her Heart and Soul on an acoustic piano. That’s the moment Amy fell in love. Thanks to her attentive and industrious Italian immigrant mom, piano lessons started at the age of 6, and by the age of 15, Amy had decided to make music her life. A few years later she was accepted into the University of Victoria in British Columbia, Canada where, in Bruce Vogt’s studio, she realized that she had way too much to learn and would always be in awe of the absolute force that is music. Bruce’s wisdom and humor still influence her life today and she will always be thankful for his guidance in those early years of learning what playing the piano meant.
As a soloist, Amy is addicted to the thrill of performing with an orchestra. Since 2016, concerto repertoire, similar to chamber music but on steroids, has forced her to push her limits, helping make her into the confident and electrifying player she always hoped to be. She has appeared as a soloist with the Symphony of the Kootenays, the Russian Chamber Orchestra, and the Contra Costa Chamber Orchestra. Her intense love of chamber music has led her to admire and explore her favorite composers more fully while sharing the experience with countless inspiring, dedicated players and appreciative audiences. In addition to freelancing in the Bay Area with various musicians and ensembles, the RossoRose Duo, founded in 2015, keeps Amy and violinist Alisa Rose occupied learning and performing repertoire from Beethoven to Auerbach.
After her Bachelor’s, Amy furthered her studies for a few years in Italy and then completed a Master’s Degree at McGill University in Montreal. Her life was filled with a wealth of chamber music and was rounded out by some Broadway musicals, German cabaret, and several years in an Argentine tango quintet. In 2014, Amy moved from Montreal to the Bay Area with her partner Dave, and her dog Roscoe. She is currently based in Oakland. Since the big move, Amy went on tour to China with the GRAMMY award-winning Pacific Boychoir, rehearsed Beethoven’s 9th Symphony with Gustavo Dudamel at the podium, and was the pianist for Chorissima, the five-time GRAMMY award-winning San Francisco Girls Chorus Premier Ensemble throughout the 2017–18 season.
Like performing, Amy finds teaching to be a highly rewarding part of a musician’s life. She is a faculty member and chamber music coach at the Pre-College Academy of the San Francisco Conservatory of Music as well as at The Nueva School in Hillsborough, CA. She is constantly fueled by her fantastically inspiring students and enjoys forcing her favorite composers on them as well as telling them what to do. Amy is looking forward to all the superb music, musicians, students, and enthusiastic audiences that will come her way in the future. Many thanks to Beethoven and Brahms for inspiring her to come this far – she wouldn’t change a thing. For more information, please visit www.amyzanrosso.com.
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