Скачать или смотреть NEW 📀 At The Hop - Danny & The Juniors {DES Stereo} 1957

1957-58......#1 U.S. Billboard Hot 100, #1 U.S. Cash Box Top 100
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"At the Hop" is a 1950s pop song written by Artie Singer, John Medora, and David White and originally released by Danny & the Juniors. The song was released in the fall of 1957 and reached number one on the US charts on January 6, 1958, becoming one of the top-selling singles of 1958. "At the Hop" also hit number one on the R&B Best Sellers list. Somewhat more surprisingly, the record reached #3 on the Music Vendor country charts. It was also a big hit elsewhere, which included number 1 for 3 weeks in Canada and a number 3 placing on the UK charts.
The song returned to prominence after it was performed by rock and roll revival act Sha Na Na at the 1969 Woodstock Festival and featured in the 1973 coming-of-age teen comedy American Graffiti. Musically, it is notable for combining several of the most popular formulas in 1950s rock'n'roll, the twelve-bar blues, boogie-woogie piano, and the '50s progression.
The original version by Danny & the Juniors was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the Seventies (1981).
The song was written by White, Medora, and Singer in 1957, when Danny & the Juniors were still called The Juvenairs. Initially called "Do the Bop", the song was heard by Dick Clark, who expressed concern that the dance fad of doing The Bop was on its way out, so he suggested they change the band name to the Juniors and the chorus from "Let's all do the Bop" to "Let's go to the Hop". After they performed the song on Clark's show American Bandstand, it gained popularity and went to the top of the US charts, remaining at number one for five weeks.
On the 2008 nationally televised PBS documentary Wages of Spin: Dick Clark, American Bandstand and the Payola Scandals, Singer claimed that Dick Clark would not play "At the Hop" without receiving half of the publishing proceeds. Singer agreed to make the payments and called the situation "bittersweet" because although he didn't like having to give the money, he credited his success in the music industry to Clark and therefore was grateful to him. Payola was not illegal at the time and Clark sold the song prior to the 1960 payola hearings.