Exclusive Interview with Aditya Roy Kapur | Anupama Chopra | Film Companion Front Row

Aditya Roy Kapur exclusively speaks with Anupama Chopra at Film Companion Front Row about his journey from supporting actor to leading man, whom he would cast in his biopic, how his laid-back attitude landed him the Aashiqui 2 movie, and his views on action films, social media, and privacy. He also discusses his working experience with Anurag Basu on Ludo, why he doesn't want to repeat genres, and his upcoming film Metro in Dino.

#adityaroykapur #filmcompanion #bollywood

Have you subscribed to Film Companion yet? Join us here -
http://bit.ly/FCsubscribe

Follow Us On:
  / filmcompanion  
  / filmcompanion  
  / filmcompanion  

00:00 Exclusive Interview with Aditya Roy Kapur
02:40 Aditya Loves Being 'Objectified’
04:28 Aditya Talks about his Physique
06:24 Aditya On His Journey
09:13 Is Aditya an Accidental Actor?
10:33 Acting is like an “Arrange Marriage”
11:41 How The Night Manager Changed Aditya
13:54 Aditya follows his brother's advice.
14:31 Aditya’s loves for Shorts & flip-flops
15:35 Aditya got the role in the Ashquie film because he wore flip-flops
16:55 What is Aditya's gut feeling?
17:55 Aditya Roy Kapoor on his Action Sequences
22:47 “Sometimes you have you have to let your mind rest”
25:07 Is Aditya still taking acting workshops?
26:02 What kind of actor Aditya is?
24:40 Aditya's obsession with cinema
29:31 Is Aditya a failed Instagrammer
33:07 Aditya on Dilip Kumar
34:48 How does Aditya find inspiration as an actor?
35:33 Is Aditya an observer?
36:08 Aditya's experience working with Anurag Basu
40:27 Would Aditya be able to walk up to any directors and say, 'I want to work with you?
41:56 What keeps Aditya motivated
42:50 Q&A

About The Channel:
The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.