Shared System Tutorials | Part 9 | Microsound with

Part 09 concludes the basic functions of the Shared System and should get you up and running with it. Starting from Part 10, we'll dive into the more advanced stuff. With over 35 chapters in this series, there's a lot more to discover and the Morphagene is too complex to cover in one chapter.
Chapter 22 approaches granular synthesis with the Morphagene
Chapter 34 covers Morphagene Reels & Splices
Chapter 36 is about Melodic reels
In the link there's an old video that explains how you can use wavetables to turn Morphagene into a synth voice.

In part 8 we used the Morphagene to create a loop recording with the Erbe-Verb. In this part we're going to explore that recording some more, trying to uncover the secret microworld hiding in those sounds. I'll also explore some grand piano samples from mr. Lexer, designer of the Arbhar algorithm. Morphagene may feel like it's very hard to control, but it's actually quite easy once you get the hang of it. It's designed to make noise and to play live, especially with sounds that are recorded on the spot. It's not a conventional sampler or looper, it's clearly inspired by the Musique Concrete from the 1950's where it was great fun to chop, mangle, reverse and reassemble sounds with magnetic tape. It still great fun!

00:00 Introduction
00:11 What is Microsound?
01:19 Morphagene controls
03:20 Patching in circles to add reverb and reverse it.
05:01 Using reels with 3D ambisonic sounds



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