Скачать или смотреть Adaptive Storytelling - ARC UNATC 2 December 2021 - DAY 1

14:30 Conference Opening / hybrid

15:00-16:00 Conference Session 1 (15’ each) / hybrid
15:00-15:15 Carina BRÂNZILĂ, assist. lecturer, Faculty of Economics, “Al.I.Cuza” University of Iasi, Presentations as storytelling. / online

15:15-15:30 Anca Doina CIOBOTARU, PhD, prof. habil., Emanuel FLORENTIN, PhD, lecturer., Alice Ioana FLORENTIN, PhD, assist. lecturer, “George Enescu” University of Arts, Iași, The Eternal Adolescence of The Teodoreni. / online

15:30-15:45 Claudia TUNCEL, PhD student, Cultural Studies, Faculty of Letters, University of Bucharest, From Miniature to YouTube: Nasreddin Hodja’s Enduring Figure. A Folk Hero’s Medium Transmutations Throughout History in Turkey. / in situ

15:45-16:00 Enxhi RISTA, PhD student, “I.L. Caragiale” National University of Theatre and Film, Bucharest, Mythology inspiration for Balkan cinema and gaming. / online

16:00-17:00 Keynote: Janez JANŠA, Performativity of Documents (50’ + 10’ Q&A) / online
Janez Janša is a contemporary artist who in 2007 together with two other Slovenian artists changed his name into the name of the conservative, two times prime-minister of Slovenia. Before and after this radical artistic gesture Janša has been working as theatre director and performer of interdisciplinary works that focus on the relation between art and the social and political context surrounding it, reflecting the responsibility of the performers as well as the spectators. Many of his works deal with the very status of performance in neoliberal societies.
He created e.g. (together with Peter Šenk) a Refugee Camp for the Citizens of the First World (2004) and devised We are all Marlene Dietrich FOR (with Erna Ómarsdóttir, 2005) as a performance for soldiers in peace-keeping missions in the tradition of famous army entertainment shows. In his exhibition Life in Progress (2008) the audience itself reenacted famous historical performance art actions. For Janez Janša artistic practice, theoretical reflection and political involvement are not separated: He is also the director of Maska, a non-profit organization in publishing, production and education, based in Ljubljana, Slovenia and edited several books on contemporary dance and theatre. He is author of the book on early works by Jan Fabre, La discipline du chaos, le chaos de la discipline, 1994.
He is currently fellow at the International research center Interweaving Performance Culture at the Freie Universitat in Berlin.