Ludwig van Beethoven - Diabelli Variations, Op. 120 (Boris Berezovsky) | Piano Recital "Legato"

From the Philharmonie Essen, 2009:
Boris Berezovsky performs Ludwig van Beethoven's 33 Variations in C major on a waltz by Anton Diabelli, Op.120.
From the series "Legato - World of the Piano": Piano Recital with Boris Berezovsky.

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Ludwig van Beethoven - 33 Variations in C major on a waltz by Anton Diabelli, Op.120

00:00 Intro
00:27 Thema. Vivace
01:11 Variation I. Alla Marcia maestoso
03:00 Variation II. Poco allegro
03:47 Variation III. L'istesso tempo
05:08 Variation IV. un poco piú vivace
06:11 Variation V. Allegro vivace
07:06 Variation VI. Allegro ma non troppo e serioso
08:37 Variation VII. Un poco piú allegro
09:40 Variation VIII. Poco vivace
11:11 Variation IX. Allegro esante e risoluto
13:00 Variation X. Presto
13:39 Variation XI. Allegreto
15:04 Variation XII. Un poco piú moto
16:05 Variation XIII. Vivace
17:17 Variation XIV. Grave e maestoso
22:04 Variation XV. Presto scherzando
22:52 Variation XVI. Allegro
23:52 Variation XVII.
24:44 Variation XVIII. Poco moderato
26:19 Variation XIX. Presto
27:24 Variation XX. Andante
30:33 Variation XXI. Allegro con brio - Meno allegro - Tempo I
31:44 Variation XXII. Allegro molto alla "Notte e giorno fatigar" di Mozart
32:42 Variation XXIII. Allegro assai
33:35 Variation XXIV. Fughetta. Andante
36:15 Variation XXV. Allegro
37:21 Variation XXVI
38:14 Variation XXVII. Vivace
39:22 Variation XXVIII. Allegro
40:12 Variation XXIX. Adagio ma non troppo
41:36 Variation XXX. Andante, sempra cantabile
43:31 Variation XXXI. Largo, molto espressivo
49:24 Variation XXXII: Fuga. Allegro - Poco adagio
53:41 Variation XXXIII. Tempo di Menuetto moderato (ma non tirarsi dietro)

About the recital

"Legato" is a series dedicated to presenting some of the most fascinating of today's younger generation pianists.
We live in a "renaissance of the piano", as the New York Times so surprisingly put it in summer, 2005. A new generation is reviving the piano's popularity as pianists with a passion for virtuosity and a willingness to expand their repertoire take to the concert stages. In addition to the standard classics, they perform formerly disparaged works or discover neglected composers.

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