Unreleased DOOKIE Song?! Bass Teacher REACTS to "J.A.R." by GREEN DAY

Описание к видео Unreleased DOOKIE Song?! Bass Teacher REACTS to "J.A.R." by GREEN DAY

FULL-ALBUM Reactions, Lessons & More 👉   / lowenduniversity  
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➡️ I’m no stranger to Green Day, but hearing this unreleased track from 1994’s "Dookie" had me feeling like a teenager again! Jason Andrew Relva (abbreviated as "J.A.R.") is apparently a fan-favorite with its chordal bass intro, the song's delicate subject matter, and the early Green Day sound we've all come to love. I listen through the track for the first time and break down the beefy bass intro from Mike Dirnt, how it perfectly foreshadows the song's chord progression, Mike's gritty bass tone, the music theory behind the bridge's chord progression, exactly how they used the bass parts to achieve such a huge sound, and much more!
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0:00 Intro
1:12 Reaction / Analysis
12:44 Final Thoughts
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Mark Michell is an internationally-touring and recording bass player known for his work with Scale the Summit, Tony MacAlpine, Tetrafusion, Watermox, and more. Michell is a published educator and author for Hal Leonard, the world's largest music publisher, and has taught bass clinics around the globe for many years. He founded Low End University in 2015, and has since enrolled over 2,500 students through his lessons program. Alongside his educational endeavors, he played on many Billboard-charting album releases and is sponsored by Jackson Basses, EMG Pickups, and Dunlop.
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👉 Original Video from ‪@GreenDay‬:    • J.A.R. (Jason Andrew Relva)  

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#greenday #jar #dookie #mikedirnt #reaction #lowenduniversity
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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commentary, news reporting, teaching, scholarship, and research. Fair Use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. The original work played in this video has been significantly transformed for the purpose of music education.

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