Скачать или смотреть Film industry Reviews and Press tour (Jan.25) Sundance 2026 Shocks Hollywood

Sundance Film Festival 2026 is heating up with standing ovations for bold new films. Wicker, a surreal fairy tale starring Alexander Skarsgard as a man made of wicker, and The Invite, Olivia Wilde’s sharp relationship dramedy, both earned enthusiastic applause. Josephine, a fearless crime drama, also stirred strong reactions, proving the festival’s power to ignite emotion early in its run.

The Duchess of Sussex made a splash on the red carpet for Cookie Queens, a film she executive produced with Prince Harry. The documentary follows four determined girls competing to become top cookie sellers. Her presence added royal flair to the festival’s already buzzing atmosphere, drawing attention to youth-driven stories and philanthropic storytelling.

Leonardo DiCaprio voiced support for Chase Infiniti, a young actress overlooked by the Oscars. He praised her emotional depth in her debut role, calling her performance near impossible to pull off. Meanwhile, Ed Harris celebrated his wife Amy Madigan’s Oscar nomination for Weapons, acknowledging the exhausting toll award season takes, especially on women in the industry.

Sundance faced a dark moment after a racially charged assault on Congressman Maxwell Frost at a CAA party. Festival organizers condemned the attack, and local authorities arrested a suspect. The incident casts a shadow over the celebration of art, reminding everyone that safety and inclusion must remain priorities even in glamorous settings.

Olivia Wilde’s The Invite earned raves for its hilarious take on modern relationships. With Seth Rogen, Penelope Cruz, and Edward Norton in the cast, the film brought much-needed laughter to the big screen. Critics called it Wilde’s sharpest work yet, blending wit and heart in a genre that rarely gets such attention at major festivals.

Nuisance Bear, an eco-doc based on a 2021 short, challenges viewers to rethink who the real nuisance is. The film’s striking visuals and thoughtful message earned praise for its environmental commentary. Meanwhile, The Friend’s House Is Here gave voice to Iran’s underground artists, raising urgent questions about the cost of speaking out in repressive regimes.

Natalie Portman and Jenna Ortega shared what drew them to Cathy Yan’s dark satire The Gallerist. Their chemistry and commitment to complex roles highlight the festival’s strength in attracting top talent. John Wilson’s The History of Concrete turned into a deeply personal reflection on filmmaking, revealing the struggles behind creating art in a chaotic world....

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