An Analysis of The Color of Pomegranates (1969)

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Timestamps/Video Chapters:
00:00 - Introduction
04:52 - Structure
05:56 - Censorship
08:27 - Who is Sergei Parajanov?
10:49 - Davtar/Daftar
11:53 - Pomegranates and the Kingdom of Armenia
13:26 - Pomegranates and Parajanov’s Other Works
15:01 - Pomegranates and Fertility
18:28 - Pomegranates and Its Evolving Significance
21:12 - Bleeding Dagger
22:09 - Crushed Grapes and Manuscripts
25:04 - Fish between Two Bread
25:45 - Vase and Kamancha (or Kamancheh)
26:53 - Thorns and Religious Iconography
28:07 - Who was Sayat-Nova?
30:02 - Drenched Books
32:25 - Dyed Wool
34:22 - Nature and Sacrificial (Animals)
36:06 - Baths
36:43 - Surrealism, Parajanov and Freud
38:35 - Homoerotic Subtext
40:41 - ‘The Poet’s Youth’
41:40 - Floating
42:28 - Tableau(x) Vivant/Tableau(x) Aesthetic
44:11 - Mechanical Movement
45:43 - Examples of Mechanical Movement
48:56 - Dialogue
49:27 - Frames, Mirrors and Windows
50:40 - Frames, Cherubs and Anna
52:26- Frames and Graveyards
55:15 - The World is a Window
57:16 - The World is a Cage
58:13 - Mirroring and Repetition
59:00 Sofiko Chiaureli
01:00:49 - Repetition (and Difference)
01:02:35 - Lace
01:03:38 - Pantomime
01:04:26 - Khakuli Icon Triptych/Khakuli Triptych Icon
01:06:40 - King Erekle’s Hunt
01:08:31 - Tomb/Fortress
01:09:27 - The Red-and-Black Sequence
01:10:45 - Llama
01:11:39 - Asceticism and Sensuality
01:13:27 - Soundtrack
01:14:08 - Death of The Holy Father Lazar/Lazarus/Ghazaros
01:15:45 - The Poet’s Dream
01:18:32 - The Nativity
01:19:21 - Nostalgic for Childhood
01:22:07 - Old Age
01:24:37 - Lavash and Graveyards
01:25:54 - The Acceptance of Death
01:26:24 - Skull
01:26:39 - Bleeding Wall
01:27:15 - The Angel of Resurrection

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