Скачать или смотреть e86 arts policy, equity and activism class at centennial college

• 'I'm interested in what we can do to both mitigate the climate emergency and adapt to it but there's another level which is revisioning the world and maybe that's the one that's most interesting, because unfortunately it's going to be rough for the foreseeable future on earth, but life will go on, with or without humans. I think humans have a place in it, but then we have to figure out how we're going to live with much, much less resources and all the damage that's been done and have a positive view of that. So rethinking and reauthoring the world. David Maggs wrote a really interesting paper about that. There was a paper recently by a Nigerian writer, Ben Okri. I'll put the link in the chat. He talked about how artists must confront the climate crisis and that we must write as if these are our last days. That's where I'm at.'

Claude Schryer, November 2021


Robin Sokoloski and Janis Monture teach a class in Art Policy, Equity and Activism at Centennial College in Toronto and asked me to be guest speaker on the issue of art and activism on November 23, 2021. The class kindly agreed to have the class recorded as episode 86 of this podcast. 


I’ve known Robin from many years in her role with Mass Culture (https://massculture.ca/)  and more recently as a co-founder of the Sectoral Climate Arts Leadership for the Emergency (https://scale-lesaut.ca/)  (SCALE) network. Robin was also my guest on episode 61 (https://www.conscient.ca/podcast/e61-...)  of this podcast. I met Janis many years ago back when I ran the Inter-Arts Office at Canada Council for the Arts (https://canadacouncil.ca/)  in her role with the Woodland Cultural Centre (https://woodlandculturalcentre.ca/) .


Before the class Robin suggested I read this article : Assessing the Impact of Artistic Activism (https://c4aa.org/wp-content/uploads/2...) , which I recommend to anyone interested in art and activism. 


The conversation took place in ‘interview’ style. Robin asked me four questions: 


What is the arts role in activism when it comes to positive social good?


Can art affect policy? Is there an example you can think of?


What role can arts funders play when it comes to art and activism?


Share your current interest in art activism. What possibilities do you see within the arts or general public that encourage you to continue this work?


My answers, as well as my interaction with students, are in the recording. 


This episode also includes excerpts from e40 frasz (https://www.conscient.ca/podcast/e40-...) , e82 washable paint (https://www.conscient.ca/podcast/e82-...) , e05 carruthers (https://www.conscient.ca/podcast/e05-...) , e73 judith marcuse – finding the energy to keep moving (https://www.conscient.ca/podcast/e73-...)  and e85 tracey friesen – narratives of resilience for a post carbon world. (https://www.conscient.ca/podcast/e85-...)


Links referred to in this episode:

• Artists must confront the climate crisis – we must write as if these are the last days’ (https://www.theguardian.com/commentis...)
• Canada Council 21-26 Strategic Plan (https://canadacouncil.ca/spotlight/20...)
• Climate Art Web (https://www.caw-wac.com/)
• SCALE-LeSAUT (https://scale-lesaut.ca/)
• The times are urgent; let us slow down (https://kamea.substack.com/p/cop26-cr...)

Some of the arts policy, equity and activism class at centennial college on november 23, 2021






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END NOTES FOR ALL EPISODES


Hey conscient listeners, 


I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020. It’s my way to give back.


This Indigenous Land Acknowledgement (https://canadacouncil.ca/land-acknowl...) statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.

• I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.
• I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.
• Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.
• I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribu...