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Скачать или смотреть Breno Viricimo, Laura Polence & Lilian Viera- Batuque (DSD256/ 11.2MHz)

  • SR-009s
  • 2020-02-13
  • 249
Breno Viricimo, Laura Polence & Lilian Viera- Batuque (DSD256/ 11.2MHz)
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Скачать Breno Viricimo, Laura Polence & Lilian Viera- Batuque (DSD256/ 11.2MHz) бесплатно в качестве 4к (2к / 1080p)

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Описание к видео Breno Viricimo, Laura Polence & Lilian Viera- Batuque (DSD256/ 11.2MHz)

If you would like a free MEGA link to this stunning album, just leave a comment down below and ill get it ready for you.

Digital album details:

Title: "Raízes"
No. of tracks: 11
Quality: DSD256/ 11.2MHz
Size: 6.37 GB

From NativeDSD.com...

"Raizes brings us the soft, lyrical music of Latin America with a Bossa Nova flavor featuring Breno Viricimo, Daniel de Moraes, Wiboud Burkes, Marijn van der Lindem, and Udo Demandt with singers Laura Polence and Lilian Viera. This recording in 2 Channel DSD 256 Stereo and 5 Channel DSD 256 Multichannel by Jared Sacks captures the soft vocals of Laura Polence and Lilian Vieira and the delicate percussion and playing of Breno Viricimo and his ensemble.

All of the tracks were recorded in 1 take to Stereo and Multichannel DSD 256. No editing or post-production filtering or mixing is done. This creates a concert-like performance within the recording studio, with the musicians playing together live and all balancing happening in real time at the recording studio.

Breno Viricimo first appeared on 2 tracks in the debut album from Just Listen - 8 Ensembles In 1 Bit. The reaction to his music was very positive and plans were made to create a full album featuring some of his compositions. Raizes features Viricimo's earthy and flowing double bass with singers Laura Polence and Lillian Vieira treating you to the warm and mellow music of Brazil. The album also features a variety of unique and subtle percussion and an inviting atmosphere.

Just like the previous Just Listen recording the main microphones (for Stereo) were a pair of Bruel and Kjaer (B&K) 4006 which have been rebuilt to accept 75 volt Phantom Powering directly from the stage. In between this pair of microphones we had a Sennheiser MK8 and a B&K 4006 coupled together to give us sound recorded using the M/S technique. The M/S Omni output from the front pair of B&K 4006 microphones was also being used as the center channel for the multichannel tracks. The support microphone for the vocals was the Sonodore MPM-91. The center and surround microphones (also B&K 4006) completed the microphone set.

All tracks (2 and 5 channels) went through custom made analog and battery powered pre amplifiers, (Custom made by Rens Heijnis) which were then connected to the Merging Technologies HAPI Analog to Digital Converter (ADC) running at DSD 256fs with 3T carbon cable made by Van den Hul in Holland."

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