Скачать или смотреть Impressionism meets expressionism in Berlin

(21 May 2015) GERMANY ART
SOURCE: AP TELEVISION
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LENGTH: 5:31

AP Television
Berlin - 20 May, 2015
1. Wide of "Chestnut tree in bloom" by Auguste Renoir (1881) on the right and "Canal in Winter" by Erich Heckel (1913) on the left
2. "Chestnut tree in bloom" by Auguste Renoir (1881)
3. Close of "Chestnut tree in bloom" by Auguste Renoir (1881)
4. Zoom to "Canal in Winter" by Erich Heckel (1913
5. Wide of woman looking at paintings
6. Wide of "Bathing Boys" by Max Liebermann (1902) on the right and "Bathers at the shore" by Ernst Ludwig Kirchner (1913) on left
7. Close of "Bathing Boys" by Max Liebermann (1902)
8. Close of "Bathers at the shore" by Ernst Ludwig Kirchner (1913)
9. Woman looking at paintings
10. "In the Bohemian Cafe" by Leo Von Koenig (1909)
11. Tilt up of In the Bohemian Cafe" by Leo Von Koenig (1909)
12. Close of In the Bohemian Cafe" by Leo Von Koenig (1909)
13. Mid of "Wine Bar" by Karl Schmidt-Rottluff (1913)
14. Pan of "Wine Bar" by Karl Schmidt-Rottluff (1913)
15. Wide of exhibition
16. Set up of Philipp Demandt, Director of the Alte Nationalgalerie (Old National Gallery)
17. SOUNDBITE: (German), Philipp Demandt, Director of the Alte Nationalgalerie (Old National Gallery)
"In general people think of art history as linear, that first impressionism came and then expressionism as a reaction. It is not that simple. Impressionism paved the way for expressionism and these two styles of art have a lot in common, and we show that here."
18. Self portrait by Max Liebermann (1908)
19. Tilt up of self portrait by Max Liebermann (1908)
20. Self portrait by Ludwig Meidner (1915)
21. Tilt-up of self portrait by Ludwig Meidner (1915)
22. Self portrait by Lovis Corinth (1900)
23. Tilt-up of self portrait by Lovis Corinth (1900)
24. Self portrait by Karl Schmidt-Rottluff (1910)
25. Close of self portrait by Karl Schmidt-Rottluff (1910)
26. Set-up of Angelika Wesenberg, curator of exhibition
27. SOUNDBITE: (German), Angelika Wesenberg, curator of exhibition
"The difference is that the impressionists paint what they see, and only what they see, and try to keep their experiences and what they know away from the painting. The expressionists think that this focus on just the surface is simply terrible and they paint what they feel, just what they feel."
28. Mid of "Still Life with Flowers and Fruit" by Paul Cezanne (ca 1890)
29. Pan of "Still Life with Flowers and Fruit" by Paul Cezanne (ca 1890)
30. Man looking at paintings
31. Close of "Mask Still Life" by Emil Nolde (1911)
32. Pull focus on "Mask Still Life" by Emil Nolde (1911)
33. Woman looking at paintings
34. SOUNDBITE: (German), Udo Kittelmann, Director of the National galleries of Berlin
"As we came up with this idea we really all asked ourselves, why has there never been an exhibition with impressionism and expressionism in a dialogue? It is clear that both of the styles are close to one another so it is really an art-historical sensation that this type of exhibition has not happened before. But like we all know, sometimes a good idea needs a hundred years to mature before it can be realised."
35. "In the Conservatory" by Edouard Manet (1878)
36. Close of "In the Conservatory" by Edouard Manet (1878)
37. Wide of "Conversation" by Max Beckmann (1908) on right and "Kaete and Hugo Perls" by Edvard Munch (1913) on the left
38. Close of "Conversation" by Max Beckmann (1908)
39. Mid of "Kaete and Hugo Perls" by Edvard Munch (1913)
40. Pan right of "Kaete and Hugo Perls" by Edvard Munch (1913)
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