UNEXPECTRAPHON | Advanced Patching and Sound Design with Maths and Erbe-Verb.

Spectraphon is a module with many faces and a big mustache. It can have a classic additive spectral processed sound, but it also offers sub oscillators and two basic sinewaves, one clean, and one a bit saturated. It's a big module with a big sonic spectrum (duh!). But an even bigger world unfolds when you patch it up with some old friends, in this case Maths and Erbe-Verb. It's a module that needs to be explored and discovered.
Like Strega, Telharmonic, Mysteron and Erbe-Verb I don't really like Spectraphon's raw raspy sound which can easily dominate a patch and makes it very recognizable. However, the many output options can suit your needs for more gentle sounds. You just need to know how, so hopefully my patch adventures can offer some new perspectives. Welcome to the Unexpectraphon!

Fun fact, this video includes Shared System Tutorials 44 with different captions, explaining half-rectification of a simple sine with Maths.
I always see the Shared as a reimagination of the classic Buchla 200 series with a twist so I always think of it as 'vintage' instead of 'advanced'. Sure, it's an expensive powerhouse flagship but if you ignore the black & gold panels, you may also see a collection of basic modular functionality like LFO, Envelope, Polarizer, dual VCO, VCA, tape echo, reverb, clock division, randomization, 16 step sequencing, human interaction and basic sampling/looping. It's a template for a complete modular setup, only missing a filter. Even if you don't own a Shared, my 44 episodes can still bring you plenty of inspiration for similar modules and functions. I would never say 'everyone should own a Shared', but it helps to look at what it does - and all the things you have to do yourself, like making white noise from scratch.

00:00 Introduction
00:10 Rectification with Maths
02:21 Charming snakes again
04:02 Odd and Even output normalization and sound
05:48 Unexpected bowed strings
06:48 Erbe-Verb reverb trail feedback patch
09:09 Explicit Noise



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