Color Roundtrip from Dailies to Final Grading Using Davinci Resolve: Part One [Partner Provided]

In this set of videos you will learn how to make a color roundtrip from set to post. In the first part of this series, we are going to learn how to set up a project for dailies, add metadata information, create CDLs, different shot match techniques, and how to export metadata information for different types of workflows.

00:00 - Intro to color roundtrip workflows
05:14 - Dailies lab task
06:00 - Setting a project Resolution
07:35 - Setting a reel name
07:53 - Project configuration for a CDL
09:10 - Color management configuration
09:23 - Audio and video sync
12:36 - Adding metadata to the clips
12:47 - Naming clips using metadata
16:44 - Dailies lab color task
17:08 - Importing Show-look
17:46 - Importing a CDL
19:02 - Creating CDLS
19:38 - Matching Clips
21:33 - Technical QC
22:24 - Creating editorial proxies
23:02 - Adding data burn in
25:05 - Creating dailies for review
27:34 - Exporting an ALE-CDL
28:16 - Exporting a CSV
29:21 - Conclusion

Links:
ACES Set Up Video -    • ACES Set Up in DaVinci Resolve [PARTN...  
Color Roundtrip Video Part 2 -    • Color Roundtrip from Dailies to Final...  
Framing Chart Best Practices - https://partnerhelp.netflixstudios.co...
ACES Deliveries Video -    • ACES Deliveries in DaVinci Resolve [P...  

Credits:
Andrea Tellez, Catalina Tellez - Graphics and Animation
Diego Yhamá - Voice and Project Management

This video was developed in partnership with Diego Yhamá.

Subtitles are available in French, Japanese, Korean, Portuguese (Brazil) and Turkish.

A Spanish (Latin America) version of this video is also available here:    • Gestión de color desde los dailies ha...