Is Google Flow’s “Jump To” feature the best way to make consistent characters in AI video right now? In this behind-the-scenes tutorial, I’ll walk you through how I made “Mara, Today,” a short AI film that follows a day in the life of a woman who doesn’t exist. You’ll learn how to use Scenebuilder and Jump To inside Google Flow to create continuity across shots — from wardrobe, to environment, to character and voice. It’s not always intuitive, but once you get it working, the results feel deeply cinematic and surprisingly human.
🍿 Watch "Mara, Today" • Google AI Short Film: “Mara, Today” - A Da...
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00:00 Intro
00:50 How to use "Jump to" with Veo 3 clips in Google Flow
02:03 Prompting tip for "Jump to"
03:20 An issue with Flow's interface
05:06 My 2 Complaints about Flow's interface
06:15 Consistent audio for character's voice
06:42 The content filters don't want Mara to brush her teeth
07:21 My BEST tip to show consistent scenes in Veo Flow
08:48 Maybe I'll use camera models in my prompts next time
09:36 Using Veo 2 to extend a shot
10:14 Conclusion
‼️ PROMPT EXAMPLES ‼️
OPENING SHOT: Medium close-up observational shot. Camera begins gently behind the woman, capturing her tall frame, comfortably and naturally proportioned, shoulders relaxed, standing easily as she gazes thoughtfully toward the softly glowing sunset. She wears a comfortable grey hoodie over a periwinkle-colored t-shirt, which rests naturally against her frame, suggesting relaxed confidence and quiet comfort in her own skin. Her short tousled blonde hair is loosely parted, natural waves moving subtly in the gentle breeze. Slowly and gracefully, the camera arcs around her side, gently framing her warmly cerebral, earnestly offbeat face softly illuminated by muted golden and lavender sunset hues. Her facial features are unconventionally defined, with warm greenish-blue eyes quietly reflecting depth, curiosity, and thoughtful intelligence. Her melancholy introspective demeanor is warmly approachable, gently humorous, quietly vibrant, as if about to say something gently funny or insightful. Her gaze is slightly off center as if looking off in the distance. The visual style embodies cinema vérité-inspired realism: naturalistic soft lighting, muted earthy color palette, subtle filmic grain, and intimate camera motion designed to capture delicate emotional shifts.
REFRIGERATOR: She is now inside a modest apartment kitchen — medium handheld shot, waist-level side angle. She opens the fridge door slowly. Cold light spills across her face as she stands there, still. She scans the shelves: half a lemon, an open jar, maybe a near-empty carton. Nothing worth grabbing. She exhales softly—no drama, just that familiar flat note of realizing there’s nothing. After a beat, she closes the fridge and scratches the back of her neck. The handheld camera holds steady at counter height, gently swaying with her motion. The sound is minimal: the hum of the refrigerator, a faint creak of the hinge, and the soft suction click of the door closing. The visual style reflects cinéma vérité realism—ambient lighting, natural color temperature from the fridge, no stylization, no score. Just a small, shared human moment captured as it is.
FOOD CART: the woman is now standing at a food cart in a downtown food cart, talking to the food cart vendor inside the cart while reading the posted menu. After reviewing for a moment she says: “Hmm, let's see. How spicy are the noodles? I want my mouth to be on fire.” Her tone is light, amused. The handheld camera holds mid-height, swaying gently with her motion. The tone is casual, immediate, observational. No score—just city ambience: faint traffic, voices, clatter of foil and tongs. The visual style embodies cinema vérité-inspired realism: naturalistic soft lighting, a muted, earthy color palette, subtle filmic grain, and intimate camera motion designed to capture nuanced human emotion
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