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GIOA Quarantine Concerts
Kulturkuben, Björkö, Sweden
Sunday, February 27 2022 18:00

FIVE KEYBOARDS FROM THREE CENTURIES
Ulrika Davidsson, clavichord, harpsichord, muselaar and fortepiano

PROGRAMME
(Muselaar, Mats Arvidsson, copy of Couchet 1650)
SPERINDIO BERTOLDO (ca 1530-1570)
Frais et gaillard (Canzona francese)

JAN PIETERSZOON SWEELINCK (1562-1621)
Mein junges Leben hat ein Endt, SwWV324

(Italian harpsichord, Mats Arvidsson)
DOMENICO SCARLATTI (1685-1757)
Sonata in D minor, K. 9

(Clavichord, Rosenau 1776)
JOSEPH HAYDN (1732-1809)
Sonata in B flat major, Hob. XVI:2
I. Moderato
II. Largo
III. Menuet

(Clavichord, Lindholm & Söderström 1808)
CARL PHILIPP EMANUEL BACH (1714-1788)
12 Variations on Les Folies d’Espagne, W.118/9

(Fortepiano, Monika May, copy of Walter late 18th century)
LUDWIG VAN BEETHOVEN (1770-1827)
Adagio sostenuto from Piano Sonata in C sharp minor (”Moonlight”), Op. 27/2

J. HAYDN
Allegro from Sonata in E flat major, Hob. XVI:52

The concert is arranged by Kulturkuben, Björkö in collaboration with SENSUS and the Association for Göteborg International Organ Academy.

BIO
Ulrika Davidsson is a versatile musician and maintains a performance career on fortepiano, clavichord, harpsichord and piano, and has given concerts in many European countries, USA, Japan and South Korea. She is regularly presenting and performing at international academies and festivals. Ms. Davidsson serves on the faculty of Ljungskile folkhögskola, and is a regular faculty member at the Smarano International Organ and Clavichord Academy, Göteborg International Organ Festival and Leufsta Cahman Academy. Ms. Davidsson holds a Doctor of Musical Arts degree in piano performance and historical keyboards, and a Master’s degree in harpsichord performance from the Eastman School of Music. A native of Sweden, she holds a Master of Fine Arts degree in piano performance from the University of Gothenburg; and the Organist and Cantor Diploma from The Royal Academy of Music, Stockholm. Noted teachers include Barry Snyder, William Porter, Malcolm Bilson, Willem Brons and Elisif Lundén. Ulrika Davidsson has previously been Assistant Professor of Historical Keyboards at the Eastman School of Music, Music Director of Rochester City Ballet, and has taught at Hochschule für Künste Bremen, the Royal Danish Academy of Music, Copenhagen, and the Academy of Music and Drama, University of Gothenburg. She is represented on CD with Bach’s Well-tempered Clavier I and Haydn Sonatas. Prizes include the Swedish Art Grant; the Adlerbertska artistic award; Mölndals Cultural Award.

LIVE STREAM
LUMIÈRE LIINASON (video)
Anders Bergsten (sound)