Скачать или смотреть Yes - 1991.04.17 - Worcester, MA - Worcester Centrum - full concert (blu-ray by Silver Stallion)

Setlist:
Firebird Suite
Yours Is No Disgrace
Rhythm Of Love
Shock To The System
Heart Of The Sunrise
The Clap - Mood For A Day
Make It Easy
Owner Of A Lonely Heart
And You And I
Bruford-White drum duet
Hold On
Changes
Solly's Beard
Long Distance Runaround
Whitefish - Tempus Fugit - Amazing Bass
Lift Me Up
(Rick Wakeman solo)
Awaken
Roundabout
Starship Trooper

Musicians:
Jon Anderson - vocals
Bill Bruford - drums
Steve Howe - guitar
Tony Kaye - keyboards
Trevor Rabin - guitar
Chris Squire - bass
Rick Wakeman - keyboards
Alan White - drums

Notes from the DVD Author, Silver Stallion:

CBG Classic Master Video Series Vol.87 (DVD Bluray)

Contrast clause: This is the DVD Bluray version. It is not HD, the show was just produced as one continuous stream and fits on a 25gb Bluray disc. A DVD version can be found here:

audio #1: (unknown) recording of indeterminate origin; LPCM 1536 bit

audio #2: (CBG) recorded w/ Aiwa-CM30A mic through the Sony TR-5's external mic in jack; captured with the video from the master 8mm analog tape; tweaked using Sony Vegas Pro 13's 10-band EQ plug-in; 224 bit .ac3.

video 1: (CBG) Sony Handycam CCD-TR5 8mm camcorder (w/ 2X teleconverter lens) master 8mm analog tape; NTSC, 4:3 PAR, 29.97 fps;transferred to harddrive via a firewire using a Sony TRV-330 8mm digitalcamera w/ Time Base Correction

video 2: audience recording of uncertain lineage presumed to be filmed by KW with a Hi8 camcorder - 1st gen VHS - NTSC, 4:3 PAR, 29.97 fps;captured using a JVC S-VHS HR-S8007UM VCR connected to a Canopus ADVC-110 via an S-Video cable; connected to the computer via firewire; video capture done with Sony Vegas Pro 13

Video capture, editing, and 2-pass VBR encoding done with Sony Vegas Pro 13 at 16.6K avg, 4:3 PAR, 29.97 fps; authored to DVD in Sony DVD Architect Pro 6.

Video editing, mixing, audio syncing and DVD authoring by Silver Stallion (AKA guitard on Dime).

Because this show was in the round, the video mix (angle changes) was largely dependent on which filmer was able to capture the focal point of the music at any given moment. It seldom happened that both were able to do that, so I had to stay on one angle for a lot longer than I normally would have otherwise.