Скачать или смотреть The Pride of Petravore

“Eileen Oge” — sometimes known as The Pride of Petravore or McGrath the Cattle-Jobber — is one of the most delightful comic songs written by the great Irish entertainer William Percy French (1854–1920). French was far more than a songwriter: he was a poet, music-hall performer, satirist, civil engineer, journalist, and an accomplished landscape painter. Few figures embody the wit, sentiment and gentle irony of late-Victorian and Edwardian Ireland quite so completely.

Born in County Roscommon and educated at Trinity College Dublin as a civil engineer, French began his professional life inspecting drains in County Cavan — a job that provided him with rich observational material for the rural characters who would later populate his songs . His sharp eye for local colour, speech patterns, and social nuance became the foundation of his musical storytelling. He later edited a comic paper, The Jarvey, before turning fully to performance. With banjo in hand and a relaxed baritone voice, he became a celebrated figure on the Irish and British music-hall circuits .

French’s catalogue includes some of Ireland’s most enduring songs: The Mountains of Mourne, Are Ye Right There Michael?, Come Back Paddy Reilly to Ballyjamesduff, Phil the Fluter’s Ball, and Abdallah Bulbul Ameer . These pieces blend satire, affection, and a gently comic view of Irish life — never cruel, always observant. “Eileen Oge” belongs squarely in that tradition.

The song tells of a beautiful young woman — Eileen Óg, “Young Eileen” — who is admired by all the young men of the district. They sigh, they hesitate, they philosophise. And then along comes McGrath, a cattle-jobber at the fair of Ballintubber — practical, indifferent, perhaps even a little blunt. While the others hesitate, McGrath acts. The humour lies in the narrator’s rueful conclusion: sometimes apparent indifference succeeds where romance fails.

The setting evokes the crossroads and market-fair culture of rural Ireland. “Petravore” is thought to derive from Pedar a’ Bhóthair — “Peter of the Road” — grounding the song in a recognisable rural tradition. Like many of French’s works, it captures a community observing itself: the gossip, the fairs, the rivalries; the sly moral lessons.

Musically, “Eileen Oge” has often been sung to a lively hornpipe air, and over time it has slipped comfortably into the Irish traditional repertoire. It is one of those composed songs that feels older than it is — a testament to French’s instinct for melody and rhythm.

Beyond music, Percy French was also a gifted watercolourist. A self-taught painter, he exhibited regularly at the Royal Hibernian Academy and was a member of the Watercolour Society of Ireland . His landscapes — skies over bogland, mountains softened by Atlantic light — share the same sensibility as his songs: attentive, affectionate, and deeply rooted in place.

“Eileen Oge” remains popular because it understands something timeless about human nature. Love is not always won by poetry. Sometimes it belongs to the man who simply walks up at the fair and takes his chance.

And in that quiet irony, Percy French still smiles at us across the years.

I wrote a score for whistle, baritone voice, banjo, guitar, accordion and bass, then passed it to Miss Ai to render a studio version. The score is available for anyone who want the notes: alanthewag@outlook.com.