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Gustav Mahler: Symphony no.9 in D major
National Orchestra of France
Daniele Gatti, director

1. Andante comodo
2. Im Tempo eines gemächlichen Ländlers
3. Rondo-Burleske. Allegro assai
4. Adagio

Gustav Mahler did not die in Venice. Yet it is of him that Thomas Mann is thinking when describing the death of Gustav von Aschenbach in the last pages of Death in Venice, when the composer had just died. And it is to the adaptation of this same novel by Visconti for the cinema, and to his use of the adagietto of the Fifth Symphony, that Mahler owes in part the resurgence of popularity which affects his music from the 1970s. . No adagietto, however, to end this centenary year with the Orchester National de France and Daniele Gatti, but the final finished score that came out of Mahler's pen, the heartbreaking farewell of the Ninth Symphony.

"I have become a stranger to the world" sang Mahler in a lied of 1902: in 1909, the rupture is consummated, and it is in the mode of memory, throughout this extraordinary narration with ample sentences which, like those of Proust, always dig deeper in the meanders of memory, which Mahler evokes in an immense look back what was his art and his life, his torments and his hopes. Before letting it fade away, like a city we have loved disappears in the distance at the stern of a boat, with nostalgia, with gratitude for what has been, in the certainty that all paradise is a paradise lost and that the happiness is only in the past, but for that in peace perhaps for the first time, what he held dearest in an ultimate gaze of love. And reconciliation?