ACES 1.3 with Davinci Resolve 18 - NEW! and UPDATED! training

Check out our ACES Workflow for Film and TV Seminar

https://www.colour.training/aces-work...

Did you want to learn which is the right way how to use ACES for your color management inside Davinci Resolve in order to be able to work in a way that studios like Netflix, HBO or Disney require you to do?
In this new and updated video, I will take you through step-by-step instructions on how to use the latest version of ACES 1.3 with Davinci Resolve 18 to achieve that.

Welcome, to this tutorial, where I will be showing you how to correctly configure and use ACES 1.3 with Davinci Resolve 18.
I will give you step-by-step instructions on how to set Davinci in a project-based configuration scenario as well as node-based scenario for more advanced workflows. And if you are interested in learning more tricks and real-life scenarios for ACES workflows, than stay with us until the end, when I give you some more information on how you can go beyond the basics.

Let me give you a quick overview of what we are going to learn today:

How to setup Davinci in project based configuration to Work in ACES 1.3 and the main differences and improvements in comparison with previous ACES versions and why you should always use ACES 1.3
We are going to see how to setup Davinci to work in ACES in a node-based color-managed scenario for some advanced workflows and configurations.
What is Gamut compression and how to use it.
We will see how I make amazing looking film emulation LMTs for ACES and how we can export them for the rest of the production.
Then we will learn how to deliver ACESCG backplates for VFX or ACES 2065 backplates.
And for the end we will see how the VFX roundtripping works.