AI generated Apsara/hoor in jannat/Sanatandharma Apsara / सनातनधर्म अप्सरा /সনাতনধর্ম অপ্সরা/Aathma Raama
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An apsaras or apsara (Sanskrit: अप्सरा, romanized: apsaras or apsara, Pali: अक्चरा, romanized: accharā) is a member of a class of celestial beings in Hindu and Buddhist culture. They are originally a type of female spirit of the clouds and waters, who later plays the role of a "nymph" or "fairy". They figure prominently in the sculpture, dance, literature and painting of many Indian and Southeast Asian cultures.
The apsaras are described to be beautiful, youthful and elegant, and are said to be able to change their shape at will. There are two types of apsaras—laukika (worldly) and daivika (divine). They are superb in the art of dancing, and often wives of the gandharvas, the court musicians of the king of the gods, Indra. The apsaras reside in the palaces of the gods and entertain them by dancing to the music made by the Gandharvas. The 26 apsaras of Indra's court are each said to symbolise a different facet of the performing arts, drawing comparisons to the Muses of ancient Greece. They are also renowned for seducing sages in order to prevent them from attaining divine powers. Urvashi, Menaka, Rambha, Tilottama and Ghritachi are the most famous among the apsaras.
The most ancient descriptions of apsara portray them as "water nymph"-like beings.
The Rigveda tells of an apsara who is the wife of Gandharva; however, the Rigveda also seems to allow for the existence of more than one apsara.[3] The only apsara specifically named is Urvashi. An entire hymn deals with the colloquy between Urvashi and her mortal lover Pururavas.[6] Later Hindu scriptures allow for the existence of numerous apsaras, who act as the handmaidens of Indra or as dancers at his celestial court[3] serving as musicians alongside the gandharvas ("celestial musicians")
In many of the stories related in the Mahabharata, apsaras appear in important supporting roles. The epic contains several lists of the principal Apsaras, which lists are not always identical. Here is one such list, together with a description of how the celestial dancers appeared to the residents and guests at the court of the gods:
Ghritachi, Menaka, Rambha, Purvachitti, Swayamprabha, Urvashi, Misrakeshi, Dandagauri, Varuthini, Gopali, Sahajanya, Kumbhayoni, Prajagara, Chitrasena, Chitralekha, Saha, and Madhuraswana—these and thousands more, possessed of eyes like lotus leaves, were employed in enticing the hearts of individuals practicing rigid austerities, and they danced there. And possessing slim waists and fair large hips, they began to perform various evolutions, shaking their deep bosoms, and casting their glances around, and exhibiting other attractive attitudes capable of stealing the hearts and resolutions and minds of the spectators.
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