Скачать или смотреть The Gear Gets the Gig | Session Drumming

Whether it’s remote recording from a small project studio or recording at some of the most noteworthy studios, there are many who aspire to become session drummers. Some will argue that those days are over while others will encourage you to build up your gear arsenal and take the dive. Even if you don’t have plans to become a professional session musician, we’ve got some important information worthy of your consideration.

It’s important to note that today’s episode focuses on drum gear and not recording equipment, which may or may not be something you need depending on your desired path.

PATREON:
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PRODUCTION PARTNERS:
GIK Acoustics (sonic treatment): https://sladl.ink/GIK
AKG Audio (microphones): https://sladl.ink/AKG
Evans Drumheads: https://sladl.ink/EvansDrumheads
ProMark Drumsticks: https://sladl.ink/ProMarkDrumsticks

Signal chain:
Mics - Focusrite Clarett 8Pre USB- Mac Studio w/Pro Tools 2024.3.1
Recorded at 48kHz / 24bit
Microphones: Pair of AKG C314 in Recorderman Configuration
Toms: Lauten Tom Mic
Kick Drum: AKG D12VR
Snare: Lauten Snare Mic

Acoustic Treatment:
GIK 242 Acoustic Panels
GIK 4A Alpha Pro Series Diffusor/Absorber
GIK Evolution PolyFusor Combination Sound Diffuser/Absorber
GIK Tri-Trap Corner Bass Trap

Drums:
Pearl Masters Maple Custom Extra +
Cymbals:
22” Jesse Simpson clone of old Zildjian A, 15" Zildjian Prototype Hihats

Drumheads:
Snare: Evans G1 Coated / Snare Side 300
Toms: N/A
Kick Drum: Evans UV EMAD / EQ3 Coated Reso

Hosted by: Cody Rahn
Production & Consulting: Ben O'Brien Smith @ Cadence Independent Media

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