How to Sing “JET“ Vocal Harmony | Paul McCartney Wings lesson - Galeazzo Frudua

Описание к видео How to Sing “JET“ Vocal Harmony | Paul McCartney Wings lesson - Galeazzo Frudua

THESE BEATLES LESSONS MAY END! PLEASE DONATE TO KEEP THEM ALIVE!: ➡ https://goo.gl/ldPTmk - SINGING LESSONS WITH GALEAZZO FRUDUA, WRITE ➡ [email protected] - WHY MY RECORDED VOCALS SOUND LIKE THIS? CLICK HERE ➡ https://bit.ly/2B7kgZU

https://www.fruduamusic.com - Learn how to sing “Jet“ vocal harmony lesson tutorial by Paul McCartney and Wings. Featuring Raffaella Camaggi on vocals. Video harmonies breakdown lesson by Galeazzo Frudua on “Jet“ Paul McCartney and Wings harmonies breakdown. Las Armonías vocales y los arreglos vocales que enseña las armonías vocales de Paul McCartney and Wings. Enjoy!
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SINGING LESSONS WITH GALEAZZO FRUDUA , WRITE ME ➡ [email protected]
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NEED TO BREAKDOWN A VOCAL HARMONY? WRITE ME ➡ [email protected]
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NEED A VOCAL HARMONY ARRANGEMENT? WRITE ME ➡ [email protected]
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SPOKEN LESSON
00:00 Introduction
00:30 Innovations in Jet
01:20 The bass synth drone note
01:49 Singing lesson
02:00 Singing the intro
02:18 Intro mid vocals singing major and minor
03:22 Intro the dynimcs
03:48 Singing the verse
04:20 Verse vocal harmony attack
04:45 Verse harmony nuaces

HARMONY LESSON
05:52 Intro and verse: all vocals
06:17 Intro and verse: Paul's lead vocals
06:43 Intro: mid vocals
06:56 Intro: mid vocals minor and major
07:15 Intro and verse: mid vocals
07:38 Intro and verse: hi vocals
08:03 "Sgt major" high vocals variation
08:12 Verse additional stealth Paul's harmony
08:18 "Much later": all vocals
08:25 "Much later": low vocals
08:31 "Much later": high vocals
08:37 Conclusion

The video is in nature instructional, with the purposes of education, comparison, and criticism only. The material included is included in an effort to explain, critique, and/or comment on works on significant cultural impact.

This video offers a never before released insight in the material by showing how the vocal arrangement was built, allowing people all over the world to have a new and different understanding of the song.

This should constitute a “Fair use” of any such copyrighted material (referenced and provided for in section 107 of the US copyright law).

Such material remains the copyright of the original holder and is used here for the purposes of education, comparison, and criticism only. I reserve all rights to my interpretation of how the song was played, which is my own work.

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