SIMPLE 4-note ARPEGGIOS for SOPHISTICATED sounds!

In this tutorial you’ll learn 3 very simple arpeggio shapes to create some very interesting and sophisticated sounds that you can use in Jazz, Fusion and Rock improvisations and compositions.
The 3 shapes are based upon the Maj7, Maj7b5 or Maj7#11 and Maj7#5 arpeggio. Using them in the right way will enable you to play modal instantly. From simple major and minor sound to modes of the major scale (dorian, phrygian, lydian, mixolydian and Locrian) to the beautiful modes of the melodic minor scale like Lydian augmented and Lydian dominant.

E-book with audio files:
https://qjamtracks.myshopify.com/prod...

Other E-books with audio files:
-----------------------------
E-BOOK - Easy arpeggios for sophisticated results
https://qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Improvising over dominant 7 chords (using scales)
https://qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Modes of the major scale crystal clear
https://qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Exotic Pentatonic scale for Guitar
https://qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Modes of the harmonic minor scale
https://qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Secrets of outside playing
https://qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Superimpose Pentatonic scales
https://qjamtracks.myshopify.com/prod...
-----------------------------
E-BOOK - Traids and inversions for Guitar
https://qjamtracks.myshopify.com/prod...
-----------------------------

Supporting downloads (  / qjamtracks):  
- PDF sheet with all arpeggios diagrams
- HQ II V I Backing track in C major for free use.
- Supporting backing tracks for this tutorial


In this tutorial you’ll learn 3 very simple arpeggio shapes to create some very interesting and sophisticated sounds that you can use in Jazz, Fusion and Rock improvisations and compositions.
The 3 shapes are based upon the Maj7, Maj7b5 or Maj7#11 and Maj7#5 arpeggio. Using them in the right way will enable you to play modal instantly. From simple major and minor sound to modes of the major scale (dorian, phrygian, lydian, mixolydian and Locrian) to the beautiful modes of the melodic minor scale like Lydian augmented and Lydian dominant.

Supporting material can be found here:
  / qjamtracks  

0:00 Intro
1:09 The red pill
1:44 4 notes – 3 patterns
6:02 Pattern 1 – Maj7
8:19 Pattern 2 – Maj7b5 (Maj7#11)
14:41 Pattern 3 - Maj7#5
19:01 Conclusion

You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks

Artwork: (c) 2021) Rob van Hal

Used:
Strandberg* Boden Prog NX (www.strandbergguitars.com)
Ibanez JEM 7vb (www.Ibanez.com)
Ibanez SD GR Bass (www.Ibanez.com)
Takamine GD930 (www.takamine.com)
Castilla Classical Guitars
Oktave MK-012 microphone
Axe FX II (www.fractalaudio.com)
Neural DSP plugins (www.neuraldsp.com/)
Fireface UCXII audio interface (www.rme-audio.de)

Social Media/contact:
www.patreon.com/QJamTracks
www.facebook.com/QJamTracks
www.instagram.com/QJamTracks
   / qjamtracks  

(c)2023 Rob van Hal, Netherlands

Subjects in this video:
Arpeggio,
guitar arpeggio,
Guitar arpeggios,
Maj7 arpeggio,
Maj7#11 arpeggio,
Maj7b5 arpeggio,
Maj7#5 arpeggio,
easy arpeggios,
Jazz guitar,
Jazz arpeggios,
Fusion guitar licks,
Superimposing arpeggios,
Modes for guitar,
Modes of the major scale,
Lydian mode,
dorian mode,
Phrygian mode,
Mixolydian mode,
Locrian mode,
Modes of the melodic minor scale,
Lydian dominant,
Lydian augmented,
Music theory lesson guitar,
Music theory,
Guitar tutorial,
Guitar lesson,
Rob van Hal,
QJamTracks,