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Jumpin' Jack Flash Rolling Stones Johnny Winter Cover by Rod DeGeorge

This is my version of the Rolling Stones' song Jumpin' Jack Flash. My take is based more off of Johnny Winter's version of Jumpin' Jack Flash than the Rolling Stones' original version, but I dig both of them. I hope you enjoy.

"Jumpin' Jack Flash" is a song by the English rock band the Rolling Stones, released as a non-album single in 1968. Called "supernatural Delta blues by way of Swinging London" by Rolling Stone magazine,[6] the song was seen as the band's return to their blues roots after the baroque pop and psychedelia heard on their preceding albums Aftermath (1966) (which did feature some blues songs), Between the Buttons (1967) and especially Their Satanic Majesties Request (1967).[4][7] One of the group's most popular and recognisable songs, it has been featured in films and covered by numerous performers, notably Thelma Houston, Aretha Franklin, Tina Turner, Peter Frampton, Johnny Winter, Leon Russell and Alex Chilton. To date, it is the band's most-performed song; they have played it over 1,100 times in concert.[8]

One of the band’s most popular songs, it was ranked number 144 on Rolling Stone's "The 500 Greatest Songs of All Time" list in 2021.

Inspiration and recording[edit]
Written by Mick Jagger and Keith Richards,[5] recording on "Jumpin' Jack Flash" began during the Beggars Banquet sessions of 1968. Regarding the song's distinctive sound, guitarist Richards has said:

I used a Gibson Hummingbird acoustic tuned to open D, six string. Open D or open E, which is the same thing – same intervals – but it would be slackened down some for D. Then there was a capo on it, to get that really tight sound. And there was another guitar over the top of that, but tuned to Nashville tuning. I learned that from somebody in George Jones' band in San Antonio in 1964. The high-strung guitar was an acoustic, too. Both acoustics were put through a Philips cassette recorder. Just jam the mic right in the guitar and play it back through an extension speaker.[9]
Richards has stated that he and Jagger wrote the lyrics while staying at Richards' country house, when they were awoken one morning by the clumping footsteps of his gardener Jack Dyer walking past the window. Surprised, Jagger asked what it was, and Richards responded: "Oh, that's Jack – that's jumpin' Jack." The lyrics evolved from there.[9][10] Humanities scholar Camille Paglia[11] speculated that the song's lyrics might have been partly inspired by William Blake's poem "The Mental Traveller": "She binds iron thorns around his head / And pierces both his hands and feet / And cuts his heart out of his side / To make it feel both cold & heat." The main riff is similar to their song "(I Can't Get No) Satisfaction".

Jagger said in a 1995 interview with Rolling Stone that the song arose "out of all the acid of Satanic Majesties. It's about having a hard time and getting out. Just a metaphor for getting out of all the acid things."[12] And in a 1968 interview, Brian Jones described it as "getting back to ... the funky, essential essence" following the psychedelia of Their Satanic Majesties Request.[7]

In his autobiography Stone Alone, Bill Wyman has said that he came up with the song's distinctive main guitar riff, working on it with Brian Jones and Charlie Watts before it was ultimately credited to Jagger and Richards.[13] In Rolling with the Stones, Wyman credits Jagger with vocals, Richards with guitar and bass guitar, Jones with guitar, Watts with drums and himself with organ on the track with producer Jimmy Miller adding backing vocals.

According to the book Keith Richards: The Biography by Victor Bockris, the line "I was born in a crossfire hurricane", was written by Richards, and refers to his being born amid the bombing and air raid sirens of Dartford, England, in 1943 during World War II.

Two promotional videos were made that May: one of a live performance and another of the band lip syncing in makeup.

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