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Daniel Isengart
Performance coach
performance technique
Dance with your Voice and Sing with Your Body
Thoughts singers relying on their scores on the recital stage
Singers, Show Them that You Are Dangerous
About the Importance of Good Diction in Singing
Reevaluating the Performing Arts as Artifical Intelligence is Changing the World
Casting the Emcee in "Cabaret"
POV about Speeches and Announcements in a Recital
Mezzo Sopranos, do not audition with "Wie Du Warst" from Der Rosenkavalier
Most Arias are inner Monologues
Aria Analysis: Der Hölle Rache
Singers, This Will Change Your Approach to Performing Arias in Recital.
This is One of the Hardest Thing To Do for Singers in Recital.
How to Incorporate Dynamics into your Interpretation of an Aria or Art Song
The Ten "Ease 'N Guard" Points to SAVE THE CLASSICAL RECITAL
Why Singers Make All These Involuntary Gestures When They're Singing
Advice for Singers: Don't Tap into your Personal Emotions During a Performance
Breaking down "Voi Che Sapete" from Mozart's Le Nozze di Figaro.
Breaking Down "E Strano", "A Forze Lui" and "Sempre Libera" from Verdi's Masterpiece, La Traviata.
Breaking down a crucial difference between singing pop and singing in opera
Breaking down "Se Vuol Ballare" from Le Nozze di Figaro by Mozart and DaPonte
How to Deliver a Solid Audition (Singers)
The Once and Future King by T.H. White (Excerpt)
The Human Stain, by Philip Roth (Excerpt)
How to Introduce a Song or Aria Onstage
A Performance Coach's Tip for Singers' Auditions
Explaining the "Ease 'n Guard" Method of Performing
Analyzing an excerpt from Jacques Rivette's film, Céline and Julie Go Boating (1974)
Stop Singing and Start Performing!
I Couldn't Be Happier – Reaction Video
Extinction, by Thomas Bernhard [Excerpt II]