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Yat-Soon Yeo
MEI YEO NCO AUDITION 2025
William Byrd: Wolseys Wilde, Coranto and La Volta from The Fitzwilliam Virginal Book
Hugh Aston (c.1485 - 1558), A hornepype
William Byrd, The Bells
Peter Philips, 'Amarilli di Julio Romano'
THOMAS ARNE: 'Gentle Swain! Hither turn thee' from The Judgment of Paris
JEAN PHILIPPE RAMEAU: Entrée from 'Les Indes Galantes' (1736)
JEAN-PHILIPPE RAMEAU: from Troisième Concert of Pièces de Clavacin en Concerts
FOLLIA - Marin Marais:'Sonnerie de Saint Geneviève du Mont-de-Paris'
Selections from 'Divertissements Chinois' (1779) by Jean Joseph Marie Amiot
Chaconne: 'Dance for a Chinese Man and Woman' from 'The Fairy Queen' (1692) by Henry Purcell
'Forêts Paisibles' from Les Indes Galantes by Jean-Philippe Rameau (1683 - 1764)
A re-imagination of a concert in the Forbidden City in the 1770s
Moo-Lee-Chwa (Mo Li Hua 茉莉花) arranged Karl Kambra c.1794.
‘Qiu Lai’ 秋来 (‘Autumn is Coming’) from Qingyin Shifan 清音十番 (17th century Qing Dynasty China)
FIRST ENCOUNTERS - Musical Journeys from the First Age of Globalisation
FIRST ENCOUNTERS - Musical Journeys from the Age of Globalisation: 'Air Chinois' and 'Mo Li Hua'
Johann Sebastian Bach, Concerto in D minor for solo harpsichord BWV 974, after Alessandro Marcello
FIRST ENCOUNTERS - Musical Journeys from the First Age of Globalisation: Rameau and Amiot.
Michel Pignolet de Montéclair: 'La Mort de Didon'
William Byrd - Pavana The Earle of Salisbury; Orlando Gibbons - The Queenes Comand
Gustav Holst: ‘Dance’ from Brook Green Suite.
Froberger, Plainte Faites à Londres pour passer la Mélancholie