Grade School: Pro Colorist talks client expectations

This week's live is covering questions around all my recent coloring topics.
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0:00 Introduction

4:30 Is using curves better to maintain the black point consistent and LGG to simply get your image on point quickly?

7:28 Do OLED displays affect our view on crushing blacks as they appear more pure rather than clipped data?

11:52 Do you have any instruction sheet that you send to clients to let them know what you need to set up the grading process?

14:10 Is REC709 different than REC709-A?

16:17 Using reference images for grading

20:36 What have you learned thanks to your color podcast?

23:09 How do you deal with underexposed non log footage?

28:52 How do you deal with clients that don't like compressed shadows and prefer digital looks?

34:10 Can you use a LUT in color composite mode to avoid modifying contrast?

37:23 How to deal with extremely punchy highlights?

44:37 How do you distinguish between overexposure and underexposure? How to deal with intentional missexposure?

49:10 How often the clients use a color palette?

51:25 How to use a color palette from an image to make a grade based on it?

54:25 Would you recommend a client using an iPad Pro for review?

56:50 Is there a solution for clipped material?

1:01:09 How to deal with compression in the shadows when creating moody images?